Toasted Brown vs Artichoke
Toasted Brown is a Benjamin Moore color while Artichoke comes from Sherwin-Williams. Hue-wise, Toasted Brown belongs to the beige-pink family and Artichoke to the grey family. At LRV 21 vs 9, Artichoke will read as the brighter of the two — a 12-point gap that matters most in north-facing or low-light rooms. The tonal difference — Toasted Brown's red character against Artichoke's neutral — becomes most visible against white trim or in morning light. At ΔE 26.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Toasted Brown vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Toasted Brown on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Toasted Brown comparisons
See how Toasted Brown stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 9, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 9), opening up a space where Toasted Brown encloses it.
Toasted Brown reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where Toasted Brown encloses it.
Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 43 vs 9, French Gray is decisively the brighter choice.
A 5-point LRV gap (9 vs 4) makes Toasted Brown the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where Toasted Brown encloses it.
Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 84 vs 9, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where Toasted Brown encloses it.
Shoji White reflects far more light (LRV 74 vs 9), opening up a space where Toasted Brown encloses it.
Snowbound reflects far more light (LRV 83 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 51 vs 9, Pigeon is decisively the brighter choice.
With LRVs of 12 and 9, the two reflect almost the same amount of light.
With LRVs of 9 and 8, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 41 vs 9, Dix Blue is decisively the brighter choice.
With LRVs of 12 and 9, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where Toasted Brown encloses it.
At LRV 31 vs 9, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.