Trailing Vines vs Eclipse
Where Trailing Vines belongs to Benjamin Moore's range, Eclipse is a Sherwin-Williams color. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (14 vs 14), so they'll read as similarly Dark in most lighting conditions. Trailing Vines runs yellow while Eclipse is decidedly warm, which means they'll respond very differently to warm vs cool light sources. At ΔE 2.5, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Trailing Vines vs Eclipse in Real Spaces
3 real rooms side by side. Trailing Vines and Eclipse are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Trailing Vines vs Eclipse Simulated Comparison
5 simulated room previews — drag the slider on each to see Trailing Vines on one side and Eclipse on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Trailing Vines comparisons
See how Trailing Vines stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 14, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 14), opening up a space where Trailing Vines encloses it.
Trailing Vines reads slightly lighter (LRV 14 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 14, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 14, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 60 vs 14, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 14), opening up a space where Trailing Vines encloses it.
Denim Drift reflects far more light (LRV 27 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 43 vs 14, French Gray is decisively the brighter choice.
A 9-point LRV gap (14 vs 4) makes Trailing Vines the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 14), opening up a space where Trailing Vines encloses it.
With LRVs of 14 and 13, the two reflect almost the same amount of light.
Hardwick White reflects far more light (LRV 44 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 84 vs 14, Pure White is decisively the brighter choice.
A 8-point LRV gap (21 vs 14) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 14), opening up a space where Trailing Vines encloses it.
Shoji White reflects far more light (LRV 74 vs 14), opening up a space where Trailing Vines encloses it.
Snowbound reflects far more light (LRV 83 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 51 vs 14, Pigeon is decisively the brighter choice.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Trailing Vines reads slightly lighter (LRV 14 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 41 vs 14, Dix Blue is decisively the brighter choice.
With LRVs of 14 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 14), opening up a space where Trailing Vines encloses it.
At LRV 31 vs 14, Pale Green is decisively the brighter choice.
A 7-point LRV gap (14 vs 7) makes Trailing Vines the marginally brighter of the two.
A 11-point LRV gap (24 vs 14) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 14, Guilford Green is decisively the brighter choice.