Turning Leaf vs Dix Blue
Turning Leaf is a Benjamin Moore color while Dix Blue comes from Farrow & Ball. Turning Leaf reads as beige-yellow, while Dix Blue reads as blue-grey — two distinct hue families, not close cousins. At LRV 41 vs 35, Dix Blue will read as the brighter of the two — a 6-point gap that matters most in north-facing or low-light rooms. The tonal difference — Turning Leaf's yellow character against Dix Blue's cool — becomes most visible against white trim or in morning light. At ΔE 41.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Turning Leaf vs Dix Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Turning Leaf on one side and Dix Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Turning Leaf comparisons
See how Turning Leaf stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 35), opening up a space where Turning Leaf encloses it.
At LRV 69 vs 35, Ammonite is decisively the brighter choice.
Turning Leaf reflects far more light (LRV 35 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 35, Purbeck Stone is decisively the brighter choice.
A 5-point LRV gap (35 vs 30) makes Turning Leaf the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 35), opening up a space where Turning Leaf encloses it.
At LRV 60 vs 35, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 35), opening up a space where Turning Leaf encloses it.
Turning Leaf reads slightly lighter (LRV 35 vs 27), a gap that shows most in low-lit rooms.
A 8-point LRV gap (43 vs 35) makes French Gray the marginally brighter of the two.
At LRV 35 vs 4, Turning Leaf is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 35), opening up a space where Turning Leaf encloses it.
Turning Leaf reflects far more light (LRV 35 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 35), a gap that shows most in low-lit rooms.
At LRV 84 vs 35, Pure White is decisively the brighter choice.
At LRV 35 vs 21, Turning Leaf is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 35), opening up a space where Turning Leaf encloses it.
Shoji White reflects far more light (LRV 74 vs 35), opening up a space where Turning Leaf encloses it.
Snowbound reflects far more light (LRV 83 vs 35), opening up a space where Turning Leaf encloses it.
Turning Leaf reflects far more light (LRV 35 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 35), opening up a space where Turning Leaf encloses it.
At LRV 68 vs 35, Calamine is decisively the brighter choice.
A 11-point LRV gap (35 vs 25) makes Turning Leaf the marginally brighter of the two.
Turning Leaf reflects far more light (LRV 35 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 35), a gap that shows most in low-lit rooms.
A 4-point LRV gap (35 vs 31) makes Turning Leaf the marginally brighter of the two.
At LRV 35 vs 7, Turning Leaf is decisively the brighter choice.
A 11-point LRV gap (35 vs 24) makes Turning Leaf the marginally brighter of the two.
At LRV 57 vs 35, Guilford Green is decisively the brighter choice.
At LRV 72 vs 35, Just Walnut is decisively the brighter choice.