Under the Big Top vs Duck Green
Under the Big Top is a Benjamin Moore color while Duck Green comes from Farrow & Ball. Under the Big Top reads as blue, while Duck Green reads as green-grey — two distinct hue families, not close cousins. At LRV 63 vs 8, Under the Big Top will read as the brighter of the two — a 55-point gap that matters most in north-facing or low-light rooms. The tonal difference — Under the Big Top's blue character against Duck Green's neutral — becomes most visible against white trim or in morning light. At ΔE 51.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Under the Big Top vs Duck Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Under the Big Top on one side and Duck Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Under the Big Top comparisons
See how Under the Big Top stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 63), a gap that shows most in low-lit rooms.
At LRV 83 vs 63, White Dove is decisively the brighter choice.
At LRV 63 vs 6, Under the Big Top is decisively the brighter choice.
Under the Big Top reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Under the Big Top reflects far more light (LRV 63 vs 30), opening up a space where Evergreen Fog encloses it.
A 12-point LRV gap (63 vs 52) makes Under the Big Top the marginally brighter of the two.
Under the Big Top reads slightly lighter (LRV 63 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (63 vs 58) makes Under the Big Top the marginally brighter of the two.
At LRV 63 vs 27, Under the Big Top is decisively the brighter choice.
Under the Big Top reflects far more light (LRV 63 vs 43), opening up a space where French Gray encloses it.
Under the Big Top reflects far more light (LRV 63 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (63 vs 55) makes Under the Big Top the marginally brighter of the two.
At LRV 63 vs 13, Under the Big Top is decisively the brighter choice.
At LRV 63 vs 44, Under the Big Top is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 63), opening up a space where Under the Big Top encloses it.
Under the Big Top reflects far more light (LRV 63 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 63), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 63) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 63, Snowbound is decisively the brighter choice.
Under the Big Top reflects far more light (LRV 63 vs 51), opening up a space where Pigeon encloses it.
At LRV 63 vs 12, Under the Big Top is decisively the brighter choice.
A 5-point LRV gap (68 vs 63) makes Skimming Stone the marginally brighter of the two.
Under the Big Top reflects far more light (LRV 63 vs 41), opening up a space where Dix Blue encloses it.
At LRV 63 vs 12, Under the Big Top is decisively the brighter choice.
At LRV 63 vs 45, Under the Big Top is decisively the brighter choice.
Under the Big Top reflects far more light (LRV 63 vs 31), opening up a space where Pale Green encloses it.
Under the Big Top reflects far more light (LRV 63 vs 7), opening up a space where Pine Needle encloses it.