Vermilion vs Statement Red paint color comparison

Vermilion vs Statement Red

VermilionBenjamin MoorevsStatement RedJotunΔE 34.5Very different colors

Where Vermilion belongs to Benjamin Moore's range, Statement Red is a Jotun color. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. They have nearly identical light reflectance values (15 vs 15), so they'll read as similarly Dark in most lighting conditions. Vermilion runs red while Statement Red is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 34.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Vermilion
Benjamin Moore · 2002-10
Hex#CF312B
LRV15.3
BrandBenjamin Moore
Number2002-10
UndertoneRed
TemperatureWarm
BrightnessDark
Statement Red
Jotun · 20207
Hex#a6544a
LRV15.0
BrandJotun
Number20207
Undertone
TemperatureWarm
BrightnessDark

Vermilion vs Statement Red Simulated Comparison

5 simulated room previews — drag the slider on each to see Vermilion on one side and Statement Red on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Vermilion comparisons

See how Vermilion stacks up against other well-photographed colors across different brands and tones.

White Dove
Vermilion vs White Dove
Vermilion
White Dove
Benjamin Moore
Vermilion
2002-10 · LRV 15

White Dove reflects far more light (LRV 83 vs 15), opening up a space where Vermilion encloses it.

Ammonite
Vermilion
Ammonite
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 15, Ammonite is decisively the brighter choice.

Iron Ore
Vermilion
Iron Ore
Benjamin Moore
Vermilion
2002-10 · LRV 15

Vermilion reads slightly lighter (LRV 15 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Vermilion
Purbeck Stone
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 52 vs 15, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Vermilion
Evergreen Fog
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 30 vs 15, Evergreen Fog is decisively the brighter choice.

Mizzle
Vermilion
Mizzle
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 15), opening up a space where Vermilion encloses it.

Agreeable Gray
Vermilion
Agreeable Gray
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 60 vs 15, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Vermilion
Accessible Beige
Benjamin Moore
Vermilion
2002-10 · LRV 15

Accessible Beige reflects far more light (LRV 58 vs 15), opening up a space where Vermilion encloses it.

Denim Drift
Vermilion
Denim Drift
Benjamin Moore
Vermilion
2002-10 · LRV 15

Denim Drift reads slightly lighter (LRV 27 vs 15), a gap that shows most in low-lit rooms.

French Gray
Vermilion
French Gray
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 43 vs 15, French Gray is decisively the brighter choice.

Naval
Vermilion
Naval
Benjamin Moore
Vermilion
2002-10 · LRV 15
Sherwin-Williams
Naval
LRV 4

A 11-point LRV gap (15 vs 4) makes Vermilion the marginally brighter of the two.

Tranquil Dawn
Vermilion
Tranquil Dawn
Benjamin Moore
Vermilion
2002-10 · LRV 15

Tranquil Dawn reflects far more light (LRV 55 vs 15), opening up a space where Vermilion encloses it.

Bancha
Vermilion
Bancha
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Bancha
LRV 13

With LRVs of 15 and 13, the two reflect almost the same amount of light.

Hardwick White
Vermilion
Hardwick White
Benjamin Moore
Vermilion
2002-10 · LRV 15

Hardwick White reflects far more light (LRV 44 vs 15), opening up a space where Vermilion encloses it.

Pure White
Vermilion
Pure White
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 84 vs 15, Pure White is decisively the brighter choice.

Artichoke
Vermilion
Artichoke
Benjamin Moore
Vermilion
2002-10 · LRV 15
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (21 vs 15) makes Artichoke the marginally brighter of the two.

Balboa Mist
Balboa Mist
Vermilion
Benjamin Moore
Vermilion
2002-10 · LRV 15

Balboa Mist reflects far more light (LRV 66 vs 15), opening up a space where Vermilion encloses it.

Shoji White
Vermilion
Shoji White
Benjamin Moore
Vermilion
2002-10 · LRV 15

Shoji White reflects far more light (LRV 74 vs 15), opening up a space where Vermilion encloses it.

Snowbound
Vermilion
Snowbound
Benjamin Moore
Vermilion
2002-10 · LRV 15
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 15), opening up a space where Vermilion encloses it.

Pewter Green
Vermilion
Pewter Green
Benjamin Moore
Vermilion
2002-10 · LRV 15

Vermilion reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Skimming Stone
Vermilion
Skimming Stone
Benjamin Moore
Vermilion
2002-10 · LRV 15

Skimming Stone reflects far more light (LRV 68 vs 15), opening up a space where Vermilion encloses it.

Dix Blue
Vermilion
Dix Blue
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 15, Dix Blue is decisively the brighter choice.

Calamine
Vermilion
Calamine
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 15, Calamine is decisively the brighter choice.

Treron
Vermilion
Treron
Benjamin Moore
Vermilion
2002-10 · LRV 15
Farrow & Ball
Treron
LRV 25

A 10-point LRV gap (25 vs 15) makes Treron the marginally brighter of the two.

Vintage Vogue
Vermilion
Vintage Vogue
Benjamin Moore
Vermilion
2002-10 · LRV 15

Vermilion reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Saybrook Sage
Saybrook Sage
Vermilion
Benjamin Moore
Vermilion
2002-10 · LRV 15

Saybrook Sage reflects far more light (LRV 45 vs 15), opening up a space where Vermilion encloses it.

Pale Green
Vermilion
Pale Green
Benjamin Moore
Vermilion
2002-10 · LRV 15
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 15, Pale Green is decisively the brighter choice.

Pine Needle
Vermilion
Pine Needle
Benjamin Moore
Vermilion
2002-10 · LRV 15

A 8-point LRV gap (15 vs 7) makes Vermilion the marginally brighter of the two.

Cement grey
Vermilion
Cement grey
Benjamin Moore
Vermilion
2002-10 · LRV 15
RAL ClassicClassic
Cement grey
LRV 24

A 9-point LRV gap (24 vs 15) makes Cement grey the marginally brighter of the two.

Guilford Green
Guilford Green
Vermilion
Benjamin Moore
Vermilion
2002-10 · LRV 15

At LRV 57 vs 15, Guilford Green is decisively the brighter choice.