Warm & Toasty vs Oak Apple
Warm & Toasty (Benjamin Moore) and Oak Apple (Little Greene) come from different manufacturers. Hue-wise, Warm & Toasty belongs to the beige family and Oak Apple to the beige-yellow family. The 5-point LRV gap — 58 for Warm & Toasty vs 53 for Oak Apple — means Warm & Toasty will open up a space more effectively. Where Warm & Toasty leans warm, Oak Apple reads yellow — a distinction that shifts noticeably depending on the light source and surrounding finishes. ΔE 6.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Warm & Toasty vs Oak Apple Simulated Comparison
5 simulated room previews — drag the slider on each to see Warm & Toasty on one side and Oak Apple on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Warm & Toasty comparisons
See how Warm & Toasty stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 58, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 58), a gap that shows most in low-lit rooms.
At LRV 58 vs 6, Warm & Toasty is decisively the brighter choice.
Warm & Toasty reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Warm & Toasty reflects far more light (LRV 58 vs 30), opening up a space where Evergreen Fog encloses it.
A 6-point LRV gap (58 vs 52) makes Warm & Toasty the marginally brighter of the two.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 58 vs 58), so neither reads brighter in a room.
At LRV 58 vs 27, Warm & Toasty is decisively the brighter choice.
Warm & Toasty reflects far more light (LRV 58 vs 43), opening up a space where French Gray encloses it.
Warm & Toasty reflects far more light (LRV 58 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 58 vs 55), so neither reads brighter in a room.
At LRV 58 vs 13, Warm & Toasty is decisively the brighter choice.
At LRV 58 vs 44, Warm & Toasty is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 58), opening up a space where Warm & Toasty encloses it.
Warm & Toasty reflects far more light (LRV 58 vs 21), opening up a space where Artichoke encloses it.
A 8-point LRV gap (66 vs 58) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 58, Shoji White is decisively the brighter choice.
At LRV 83 vs 58, Snowbound is decisively the brighter choice.
At LRV 58 vs 12, Warm & Toasty is decisively the brighter choice.
A 10-point LRV gap (68 vs 58) makes Skimming Stone the marginally brighter of the two.
Warm & Toasty reflects far more light (LRV 58 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.
Warm & Toasty reflects far more light (LRV 58 vs 25), opening up a space where Treron encloses it.
At LRV 58 vs 12, Warm & Toasty is decisively the brighter choice.
At LRV 58 vs 45, Warm & Toasty is decisively the brighter choice.
Warm & Toasty reflects far more light (LRV 58 vs 31), opening up a space where Pale Green encloses it.
Warm & Toasty reflects far more light (LRV 58 vs 7), opening up a space where Pine Needle encloses it.
Warm & Toasty reflects far more light (LRV 58 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 58 and 57, the two reflect almost the same amount of light.