White Down vs Ammonite
Where White Down belongs to Benjamin Moore's range, Ammonite is a Farrow & Ball color. Hue-wise, White Down belongs to the beige-white family and Ammonite to the beige-greige family. White Down (LRV 77) reflects noticeably more light than Ammonite (LRV 69), a difference of 8 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 5.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
White Down vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see White Down on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More White Down comparisons
See how White Down stacks up against other well-photographed colors across different brands and tones.
A 6-point LRV gap (83 vs 77) makes White Dove the marginally brighter of the two.
At LRV 77 vs 6, White Down is decisively the brighter choice.
White Down reflects far more light (LRV 77 vs 52), opening up a space where Purbeck Stone encloses it.
White Down reflects far more light (LRV 77 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 77 vs 52, White Down is decisively the brighter choice.
White Down reflects far more light (LRV 77 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 77 vs 58, White Down is decisively the brighter choice.
At LRV 77 vs 27, White Down is decisively the brighter choice.
White Down reflects far more light (LRV 77 vs 43), opening up a space where French Gray encloses it.
White Down reflects far more light (LRV 77 vs 4), opening up a space where Naval encloses it.
At LRV 77 vs 55, White Down is decisively the brighter choice.
At LRV 77 vs 13, White Down is decisively the brighter choice.
At LRV 77 vs 44, White Down is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 77), a gap that shows most in low-lit rooms.
White Down reflects far more light (LRV 77 vs 21), opening up a space where Artichoke encloses it.
A 11-point LRV gap (77 vs 66) makes White Down the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 77 vs 74), so neither reads brighter in a room.
A 6-point LRV gap (83 vs 77) makes Snowbound the marginally brighter of the two.
White Down reflects far more light (LRV 77 vs 51), opening up a space where Pigeon encloses it.
At LRV 77 vs 12, White Down is decisively the brighter choice.
At LRV 77 vs 8, White Down is decisively the brighter choice.
A 9-point LRV gap (77 vs 68) makes White Down the marginally brighter of the two.
White Down reflects far more light (LRV 77 vs 41), opening up a space where Dix Blue encloses it.
At LRV 77 vs 12, White Down is decisively the brighter choice.
At LRV 77 vs 45, White Down is decisively the brighter choice.
White Down reflects far more light (LRV 77 vs 31), opening up a space where Pale Green encloses it.
White Down reflects far more light (LRV 77 vs 7), opening up a space where Pine Needle encloses it.