Witching Hour vs Calamine
Witching Hour is a Benjamin Moore color while Calamine comes from Farrow & Ball. Witching Hour reads as blue-grey, while Calamine reads as pink-red — two distinct hue families, not close cousins. At LRV 68 vs 9, Calamine will read as the brighter of the two — a 59-point gap that matters most in north-facing or low-light rooms. The tonal difference — Witching Hour's blue character against Calamine's warm — becomes most visible against white trim or in morning light. At ΔE 55.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Witching Hour vs Calamine in Real Spaces
3 real rooms side by side. Seeing Witching Hour and Calamine in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Calamine returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Calamine will make the room feel meaningfully brighter than Witching Hour would.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Calamine will make the room feel meaningfully brighter than Witching Hour would.
Color Details
Witching Hour vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Witching Hour on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Witching Hour comparisons
See how Witching Hour stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 9), opening up a space where Witching Hour encloses it.
At LRV 69 vs 9, Ammonite is decisively the brighter choice.
Witching Hour reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.
At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 9), opening up a space where Witching Hour encloses it.
At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where Witching Hour encloses it.
Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where Witching Hour encloses it.
At LRV 43 vs 9, French Gray is decisively the brighter choice.
A 4-point LRV gap (9 vs 4) makes Witching Hour the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where Witching Hour encloses it.
Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where Witching Hour encloses it.
At LRV 84 vs 9, Pure White is decisively the brighter choice.
At LRV 21 vs 9, Artichoke is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where Witching Hour encloses it.
Shoji White reflects far more light (LRV 74 vs 9), opening up a space where Witching Hour encloses it.
Snowbound reflects far more light (LRV 83 vs 9), opening up a space where Witching Hour encloses it.
Pewter Green reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where Witching Hour encloses it.
At LRV 41 vs 9, Dix Blue is decisively the brighter choice.
At LRV 25 vs 9, Treron is decisively the brighter choice.
Vintage Vogue reads slightly lighter (LRV 12 vs 9), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where Witching Hour encloses it.
At LRV 31 vs 9, Pale Green is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.
At LRV 24 vs 9, Cement grey is decisively the brighter choice.
At LRV 57 vs 9, Guilford Green is decisively the brighter choice.
At LRV 72 vs 9, Just Walnut is decisively the brighter choice.