Yellow Topaz vs Hicks' Blue
Where Yellow Topaz belongs to Benjamin Moore's range, Hicks' Blue is a Little Greene color. Hue-wise, Yellow Topaz belongs to the beige-yellow family and Hicks' Blue to the blue family. Yellow Topaz has an LRV of 62. Yellow Topaz runs red while Hicks' Blue is decidedly blue, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 66.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Yellow Topaz vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Yellow Topaz on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Yellow Topaz comparisons
See how Yellow Topaz stacks up against other well-photographed colors across different brands and tones.
Ammonite reads slightly lighter (LRV 69 vs 62), a gap that shows most in low-lit rooms.
At LRV 83 vs 62, White Dove is decisively the brighter choice.
At LRV 62 vs 6, Yellow Topaz is decisively the brighter choice.
Yellow Topaz reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.
Yellow Topaz reflects far more light (LRV 62 vs 30), opening up a space where Evergreen Fog encloses it.
A 10-point LRV gap (62 vs 52) makes Yellow Topaz the marginally brighter of the two.
With LRVs of 62 and 60, the two reflect almost the same amount of light.
A 4-point LRV gap (62 vs 58) makes Yellow Topaz the marginally brighter of the two.
At LRV 62 vs 27, Yellow Topaz is decisively the brighter choice.
Yellow Topaz reflects far more light (LRV 62 vs 43), opening up a space where French Gray encloses it.
Yellow Topaz reflects far more light (LRV 62 vs 4), opening up a space where Naval encloses it.
A 7-point LRV gap (62 vs 55) makes Yellow Topaz the marginally brighter of the two.
At LRV 62 vs 13, Yellow Topaz is decisively the brighter choice.
At LRV 62 vs 44, Yellow Topaz is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 62), opening up a space where Yellow Topaz encloses it.
Yellow Topaz reflects far more light (LRV 62 vs 21), opening up a space where Artichoke encloses it.
A 4-point LRV gap (66 vs 62) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 62, Shoji White is decisively the brighter choice.
At LRV 83 vs 62, Snowbound is decisively the brighter choice.
Yellow Topaz reads slightly lighter (LRV 62 vs 51), a gap that shows most in low-lit rooms.
At LRV 62 vs 12, Yellow Topaz is decisively the brighter choice.
At LRV 62 vs 8, Yellow Topaz is decisively the brighter choice.
A 6-point LRV gap (68 vs 62) makes Skimming Stone the marginally brighter of the two.
Yellow Topaz reflects far more light (LRV 62 vs 41), opening up a space where Dix Blue encloses it.
At LRV 62 vs 12, Yellow Topaz is decisively the brighter choice.
At LRV 62 vs 45, Yellow Topaz is decisively the brighter choice.
Yellow Topaz reflects far more light (LRV 62 vs 31), opening up a space where Pale Green encloses it.
Yellow Topaz reflects far more light (LRV 62 vs 7), opening up a space where Pine Needle encloses it.