Apple Pie vs Oak Plank
Both from Cloverdale Paint's palette. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (46 vs 44), so they'll read as similarly Medium in most lighting conditions. The ΔE 3.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Apple Pie vs Oak Plank in Real Spaces
5 real rooms side by side. Apple Pie and Oak Plank are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. The distinction reads clearly at room scale, making the choice between them concrete.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Apple Pie vs Oak Plank Simulated Comparison
5 simulated room previews — drag the slider on each to see Apple Pie on one side and Oak Plank on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Apple Pie comparisons
See how Apple Pie stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 46, White Dove is decisively the brighter choice.


Purbeck Stone reads slightly lighter (LRV 52 vs 46), a gap that shows most in low-lit rooms.


Apple Pie reflects far more light (LRV 46 vs 30), opening up a space where Evergreen Fog encloses it.


Agreeable Gray reflects far more light (LRV 60 vs 46), opening up a space where Apple Pie encloses it.


A 12-point LRV gap (58 vs 46) makes Accessible Beige the marginally brighter of the two.


At LRV 46 vs 27, Apple Pie is decisively the brighter choice.


With LRVs of 46 and 43, the two reflect almost the same amount of light.


A 9-point LRV gap (55 vs 46) makes Tranquil Dawn the marginally brighter of the two.


Their light reflectance is nearly identical (LRV 46 vs 44), so neither reads brighter in a room.


Pure White reflects far more light (LRV 84 vs 46), opening up a space where Apple Pie encloses it.


At LRV 66 vs 46, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 46, Shoji White is decisively the brighter choice.


At LRV 46 vs 12, Apple Pie is decisively the brighter choice.


At LRV 68 vs 46, Skimming Stone is decisively the brighter choice.


At LRV 46 vs 12, Apple Pie is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 46 vs 45), so neither reads brighter in a room.


Apple Pie reflects far more light (LRV 46 vs 31), opening up a space where Pale Green encloses it.


Apple Pie reflects far more light (LRV 46 vs 7), opening up a space where Pine Needle encloses it.


Apple Pie reflects far more light (LRV 46 vs 24), opening up a space where Cement grey encloses it.


Guilford Green reads slightly lighter (LRV 57 vs 46), a gap that shows most in low-lit rooms.





























