Ash Bed vs Ammonite
Ash Bed is a Cloverdale Paint color while Ammonite comes from Farrow & Ball. Ash Bed reads as blue-grey, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. At LRV 69 vs 12, Ammonite will read as the brighter of the two — a 57-point gap that matters most in north-facing or low-light rooms. At ΔE 46.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Ash Bed vs Ammonite in Real Spaces
5 real rooms side by side. Seeing Ash Bed and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Ash Bed would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Ash Bed would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Ammonite reflects noticeably more light off the walls, making the space read more open than Ash Bed.
Color Details
Ash Bed vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Ash Bed on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ash Bed comparisons
See how Ash Bed stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 12), opening up a space where Ash Bed encloses it.


At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.


At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Ash Bed encloses it.


Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Ash Bed encloses it.


At LRV 43 vs 12, French Gray is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Ash Bed encloses it.


Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Ash Bed encloses it.


At LRV 84 vs 12, Pure White is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Ash Bed encloses it.


Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Ash Bed encloses it.


With LRVs of 12 and 12, the two reflect almost the same amount of light.


Ash Bed reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.


Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Ash Bed encloses it.


With LRVs of 12 and 12, the two reflect almost the same amount of light.


Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Ash Bed encloses it.


At LRV 31 vs 12, Pale Green is decisively the brighter choice.


A 5-point LRV gap (12 vs 7) makes Ash Bed the marginally brighter of the two.































