Atmospheric Pressure vs Constellation
Atmospheric Pressure (Cloverdale Paint) and Constellation (PPG) come from different manufacturers. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 63 for Atmospheric Pressure vs 60 for Constellation — means Atmospheric Pressure will open up a space more effectively. A ΔE of 1.9 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Atmospheric Pressure vs Constellation Simulated Comparison
5 simulated room previews — drag the slider on each to see Atmospheric Pressure on one side and Constellation on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Atmospheric Pressure comparisons
See how Atmospheric Pressure stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 63, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 6, Atmospheric Pressure is decisively the brighter choice.
Atmospheric Pressure reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Atmospheric Pressure reflects far more light (LRV 63 vs 30), opening up a space where Evergreen Fog encloses it.
A 11-point LRV gap (63 vs 52) makes Atmospheric Pressure the marginally brighter of the two.
With LRVs of 63 and 60, the two reflect almost the same amount of light.
A 5-point LRV gap (63 vs 58) makes Atmospheric Pressure the marginally brighter of the two.
At LRV 63 vs 27, Atmospheric Pressure is decisively the brighter choice.
Atmospheric Pressure reflects far more light (LRV 63 vs 43), opening up a space where French Gray encloses it.
Atmospheric Pressure reflects far more light (LRV 63 vs 4), opening up a space where Naval encloses it.
A 8-point LRV gap (63 vs 55) makes Atmospheric Pressure the marginally brighter of the two.
At LRV 63 vs 13, Atmospheric Pressure is decisively the brighter choice.
At LRV 63 vs 44, Atmospheric Pressure is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 63), opening up a space where Atmospheric Pressure encloses it.
Atmospheric Pressure reflects far more light (LRV 63 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 63), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 63) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 63, Snowbound is decisively the brighter choice.
At LRV 63 vs 12, Atmospheric Pressure is decisively the brighter choice.
A 5-point LRV gap (68 vs 63) makes Skimming Stone the marginally brighter of the two.
Atmospheric Pressure reflects far more light (LRV 63 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
Atmospheric Pressure reflects far more light (LRV 63 vs 25), opening up a space where Treron encloses it.
At LRV 63 vs 12, Atmospheric Pressure is decisively the brighter choice.
At LRV 63 vs 45, Atmospheric Pressure is decisively the brighter choice.
Atmospheric Pressure reflects far more light (LRV 63 vs 31), opening up a space where Pale Green encloses it.
Atmospheric Pressure reflects far more light (LRV 63 vs 7), opening up a space where Pine Needle encloses it.
Atmospheric Pressure reflects far more light (LRV 63 vs 24), opening up a space where Cement grey encloses it.
Atmospheric Pressure reads slightly lighter (LRV 63 vs 57), a gap that shows most in low-lit rooms.