Bad Hair Day vs French Gray
Bad Hair Day is a Cloverdale Paint color while French Gray comes from Farrow & Ball. Hue-wise, Bad Hair Day belongs to the greige-grey family and French Gray to the beige-greige family. At LRV 43 vs 11, French Gray will read as the brighter of the two — a 32-point gap that matters most in north-facing or low-light rooms. At ΔE 33.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Bad Hair Day vs French Gray in Real Spaces
4 real rooms side by side. Seeing Bad Hair Day and French Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. French Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Bad Hair Day would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. French Gray reflects noticeably more light off the walls, making the space read more open than Bad Hair Day.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Bad Hair Day would.
Color Details
Bad Hair Day vs French Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Bad Hair Day on one side and French Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Bad Hair Day comparisons
See how Bad Hair Day stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 11), opening up a space where Bad Hair Day encloses it.
At LRV 83 vs 11, White Dove is decisively the brighter choice.
A 5-point LRV gap (11 vs 6) makes Bad Hair Day the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 11), opening up a space where Bad Hair Day encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 11), opening up a space where Bad Hair Day encloses it.
At LRV 52 vs 11, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 11), opening up a space where Bad Hair Day encloses it.
At LRV 58 vs 11, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 11, Denim Drift is decisively the brighter choice.
Bad Hair Day reads slightly lighter (LRV 11 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 11, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 13 vs 11), so neither reads brighter in a room.
At LRV 44 vs 11, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 11), opening up a space where Bad Hair Day encloses it.
Artichoke reads slightly lighter (LRV 21 vs 11), a gap that shows most in low-lit rooms.
At LRV 66 vs 11, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 11, Shoji White is decisively the brighter choice.
At LRV 83 vs 11, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 11), opening up a space where Bad Hair Day encloses it.
Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 11 vs 8), so neither reads brighter in a room.
At LRV 68 vs 11, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 11), opening up a space where Bad Hair Day encloses it.
Their light reflectance is nearly identical (LRV 12 vs 11), so neither reads brighter in a room.
At LRV 45 vs 11, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 11), opening up a space where Bad Hair Day encloses it.
Bad Hair Day reads slightly lighter (LRV 11 vs 7), a gap that shows most in low-lit rooms.