Baked Clay vs Iron Ore
Where Baked Clay belongs to Cloverdale Paint's range, Iron Ore is a Sherwin-Williams color. Baked Clay reads as pink-red, while Iron Ore reads as grey — two distinct hue families, not close cousins. Baked Clay (LRV 15) reflects noticeably more light than Iron Ore (LRV 6), a difference of 9 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 34.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Baked Clay vs Iron Ore in Real Spaces
5 real rooms side by side. Seeing Baked Clay and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Baked Clay will make the room feel meaningfully brighter than Iron Ore would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Baked Clay reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Baked Clay reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Baked Clay returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Baked Clay reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Color Details
Baked Clay vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Baked Clay on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Baked Clay comparisons
See how Baked Clay stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 15), opening up a space where Baked Clay encloses it.
At LRV 83 vs 15, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 15), opening up a space where Baked Clay encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 15), opening up a space where Baked Clay encloses it.
At LRV 52 vs 15, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 15), opening up a space where Baked Clay encloses it.
At LRV 58 vs 15, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 15, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 15), opening up a space where Baked Clay encloses it.
Baked Clay reads slightly lighter (LRV 15 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 15, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.
At LRV 44 vs 15, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 15), opening up a space where Baked Clay encloses it.
Artichoke reads slightly lighter (LRV 21 vs 15), a gap that shows most in low-lit rooms.
At LRV 66 vs 15, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 15, Shoji White is decisively the brighter choice.
At LRV 83 vs 15, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 15), opening up a space where Baked Clay encloses it.
Their light reflectance is nearly identical (LRV 15 vs 12), so neither reads brighter in a room.
A 6-point LRV gap (15 vs 8) makes Baked Clay the marginally brighter of the two.
At LRV 68 vs 15, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 15), opening up a space where Baked Clay encloses it.
Their light reflectance is nearly identical (LRV 15 vs 12), so neither reads brighter in a room.
At LRV 45 vs 15, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 15), opening up a space where Baked Clay encloses it.
Baked Clay reads slightly lighter (LRV 15 vs 7), a gap that shows most in low-lit rooms.