Child of the Moon vs Iron Ore
Child of the Moon (Cloverdale Paint) and Iron Ore (Sherwin-Williams) come from different manufacturers. Hue-wise, Child of the Moon belongs to the beige family and Iron Ore to the grey family. The 27-point LRV gap — 33 for Child of the Moon vs 6 for Iron Ore — means Child of the Moon will open up a space more effectively. A ΔE of 59.1 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Child of the Moon vs Iron Ore in Real Spaces
5 real rooms side by side. Seeing Child of the Moon and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Child of the Moon reflects noticeably more light off the walls, making the space read more open than Iron Ore.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Child of the Moon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Child of the Moon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Child of the Moon will make the room feel meaningfully brighter than Iron Ore would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Child of the Moon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Child of the Moon vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Child of the Moon on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Child of the Moon comparisons
See how Child of the Moon stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 33, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 33), opening up a space where Child of the Moon encloses it.
At LRV 52 vs 33, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 33 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 33), opening up a space where Child of the Moon encloses it.
At LRV 60 vs 33, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 33), opening up a space where Child of the Moon encloses it.
Child of the Moon reads slightly lighter (LRV 33 vs 27), a gap that shows most in low-lit rooms.
A 10-point LRV gap (43 vs 33) makes French Gray the marginally brighter of the two.
At LRV 33 vs 4, Child of the Moon is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 33), opening up a space where Child of the Moon encloses it.
Child of the Moon reflects far more light (LRV 33 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 33), a gap that shows most in low-lit rooms.
At LRV 84 vs 33, Pure White is decisively the brighter choice.
A 12-point LRV gap (33 vs 21) makes Child of the Moon the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 33), opening up a space where Child of the Moon encloses it.
Shoji White reflects far more light (LRV 74 vs 33), opening up a space where Child of the Moon encloses it.
Snowbound reflects far more light (LRV 83 vs 33), opening up a space where Child of the Moon encloses it.
At LRV 51 vs 33, Pigeon is decisively the brighter choice.
Child of the Moon reflects far more light (LRV 33 vs 12), opening up a space where Pewter Green encloses it.
Child of the Moon reflects far more light (LRV 33 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 33), opening up a space where Child of the Moon encloses it.
A 8-point LRV gap (41 vs 33) makes Dix Blue the marginally brighter of the two.
Child of the Moon reflects far more light (LRV 33 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 33), opening up a space where Child of the Moon encloses it.
Their light reflectance is nearly identical (LRV 33 vs 31), so neither reads brighter in a room.
At LRV 33 vs 7, Child of the Moon is decisively the brighter choice.