Cut Velvet vs Kismet
Cut Velvet is a Cloverdale Paint color while Kismet comes from Sherwin-Williams. Both sit in the purple family, which is useful context if you're narrowing within a single hue direction. At LRV 35 vs 29, Cut Velvet will read as the brighter of the two — a 6-point gap that matters most in north-facing or low-light rooms. At ΔE 5.8, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Cut Velvet vs Kismet Simulated Comparison
5 simulated room previews — drag the slider on each to see Cut Velvet on one side and Kismet on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cut Velvet comparisons
See how Cut Velvet stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 35, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 35), opening up a space where Cut Velvet encloses it.
At LRV 35 vs 6, Cut Velvet is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 35), opening up a space where Cut Velvet encloses it.
Cut Velvet reads slightly lighter (LRV 35 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 35, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 35), opening up a space where Cut Velvet encloses it.
At LRV 58 vs 35, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (35 vs 27) makes Cut Velvet the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 35), a gap that shows most in low-lit rooms.
Cut Velvet reflects far more light (LRV 35 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 35, Tranquil Dawn is decisively the brighter choice.
At LRV 35 vs 13, Cut Velvet is decisively the brighter choice.
A 9-point LRV gap (44 vs 35) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 35), opening up a space where Cut Velvet encloses it.
Cut Velvet reflects far more light (LRV 35 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 35, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 35, Shoji White is decisively the brighter choice.
At LRV 83 vs 35, Snowbound is decisively the brighter choice.
At LRV 35 vs 12, Cut Velvet is decisively the brighter choice.
At LRV 68 vs 35, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 35), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 35), opening up a space where Cut Velvet encloses it.
Cut Velvet reads slightly lighter (LRV 35 vs 25), a gap that shows most in low-lit rooms.
At LRV 35 vs 12, Cut Velvet is decisively the brighter choice.
A 10-point LRV gap (45 vs 35) makes Saybrook Sage the marginally brighter of the two.
Cut Velvet reads slightly lighter (LRV 35 vs 31), a gap that shows most in low-lit rooms.
Cut Velvet reflects far more light (LRV 35 vs 7), opening up a space where Pine Needle encloses it.
Cut Velvet reads slightly lighter (LRV 35 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 35), opening up a space where Cut Velvet encloses it.