Dolomite vs Ellie Gray
Where Dolomite belongs to Cloverdale Paint's range, Ellie Gray is a Sherwin-Williams color. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (40 vs 40), so they'll read as similarly Medium in most lighting conditions. At ΔE 1.3, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dolomite vs Ellie Gray in Real Spaces
5 real rooms side by side. Dolomite and Ellie Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Dolomite vs Ellie Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Dolomite on one side and Ellie Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dolomite comparisons
See how Dolomite stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 40, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 40), opening up a space where Dolomite encloses it.
Dolomite reads slightly lighter (LRV 40 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 40), opening up a space where Dolomite encloses it.
At LRV 58 vs 40, Accessible Beige is decisively the brighter choice.
At LRV 40 vs 27, Dolomite is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 40), a gap that shows most in low-lit rooms.
At LRV 55 vs 40, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (44 vs 40) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 40), opening up a space where Dolomite encloses it.
At LRV 66 vs 40, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 40, Shoji White is decisively the brighter choice.
At LRV 40 vs 12, Dolomite is decisively the brighter choice.
At LRV 68 vs 40, Skimming Stone is decisively the brighter choice.
At LRV 40 vs 12, Dolomite is decisively the brighter choice.
A 6-point LRV gap (45 vs 40) makes Saybrook Sage the marginally brighter of the two.
Dolomite reads slightly lighter (LRV 40 vs 31), a gap that shows most in low-lit rooms.
Dolomite reflects far more light (LRV 40 vs 7), opening up a space where Pine Needle encloses it.
Dolomite reflects far more light (LRV 40 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 40), opening up a space where Dolomite encloses it.