Earl Grey vs Down Pipe
Earl Grey is a Cloverdale Paint color while Down Pipe comes from Farrow & Ball. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. With LRVs of 11 and 13, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 2.6, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Grey vs Down Pipe in Real Spaces
4 real rooms side by side. Earl Grey and Down Pipe are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Earl Grey vs Down Pipe Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Grey on one side and Down Pipe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Grey comparisons
See how Earl Grey stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Earl Grey encloses it.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Earl Grey encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Earl Grey encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Earl Grey encloses it.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Earl Grey encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Earl Grey encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Earl Grey encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Earl Grey encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Earl Grey encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.
A 4-point LRV gap (11 vs 7) makes Earl Grey the marginally brighter of the two.
At LRV 24 vs 11, Cement grey is decisively the brighter choice.
At LRV 57 vs 11, Guilford Green is decisively the brighter choice.