Green Gone Wild vs Antique Moss
Green Gone Wild (Cloverdale Paint) and Antique Moss (PPG) come from different manufacturers. Hue-wise, Green Gone Wild belongs to the green-yellow family and Antique Moss to the yellow family. The 7-point LRV gap — 32 for Green Gone Wild vs 25 for Antique Moss — means Green Gone Wild will open up a space more effectively. ΔE 3.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Green Gone Wild vs Antique Moss Simulated Comparison
5 simulated room previews — drag the slider on each to see Green Gone Wild on one side and Antique Moss on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Green Gone Wild comparisons
See how Green Gone Wild stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 32, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Green Gone Wild encloses it.
Green Gone Wild reflects far more light (LRV 32 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
Mizzle reflects far more light (LRV 52 vs 32), opening up a space where Green Gone Wild encloses it.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Green Gone Wild encloses it.
Green Gone Wild reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
At LRV 32 vs 4, Green Gone Wild is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Green Gone Wild encloses it.
Green Gone Wild reflects far more light (LRV 32 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
A 11-point LRV gap (32 vs 21) makes Green Gone Wild the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Green Gone Wild encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Green Gone Wild encloses it.
Snowbound reflects far more light (LRV 83 vs 32), opening up a space where Green Gone Wild encloses it.
At LRV 51 vs 32, Pigeon is decisively the brighter choice.
Green Gone Wild reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Green Gone Wild reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Green Gone Wild encloses it.
A 9-point LRV gap (41 vs 32) makes Dix Blue the marginally brighter of the two.
Green Gone Wild reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Green Gone Wild encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.