Honky Tonk Blue vs Woad
Honky Tonk Blue is a Cloverdale Paint color while Woad comes from Little Greene. These are both blues, so the question isn't which hue to choose — it's where within blue to land. At LRV 15 vs 12, Honky Tonk Blue will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. At ΔE 6.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Honky Tonk Blue vs Woad in Real Spaces
2 real rooms side by side. Honky Tonk Blue and Woad are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Honky Tonk Blue has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Honky Tonk Blue gives the walls a little more lift.
Color Details
Honky Tonk Blue vs Woad Simulated Comparison
5 simulated room previews — drag the slider on each to see Honky Tonk Blue on one side and Woad on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Honky Tonk Blue comparisons
See how Honky Tonk Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 15, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 15), opening up a space where Honky Tonk Blue encloses it.
A 9-point LRV gap (15 vs 6) makes Honky Tonk Blue the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 15), opening up a space where Honky Tonk Blue encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 15), opening up a space where Honky Tonk Blue encloses it.
At LRV 52 vs 15, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 15), opening up a space where Honky Tonk Blue encloses it.
At LRV 58 vs 15, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 15, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 15), opening up a space where Honky Tonk Blue encloses it.
Honky Tonk Blue reads slightly lighter (LRV 15 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 15, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 15 vs 13), so neither reads brighter in a room.
At LRV 44 vs 15, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 15), opening up a space where Honky Tonk Blue encloses it.
Artichoke reads slightly lighter (LRV 21 vs 15), a gap that shows most in low-lit rooms.
At LRV 66 vs 15, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 15, Shoji White is decisively the brighter choice.
At LRV 83 vs 15, Snowbound is decisively the brighter choice.
A 3-point LRV gap (15 vs 12) makes Honky Tonk Blue the marginally brighter of the two.
At LRV 68 vs 15, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 15), opening up a space where Honky Tonk Blue encloses it.
Calamine reflects far more light (LRV 68 vs 15), opening up a space where Honky Tonk Blue encloses it.
Treron reads slightly lighter (LRV 25 vs 15), a gap that shows most in low-lit rooms.
A 3-point LRV gap (15 vs 12) makes Honky Tonk Blue the marginally brighter of the two.
At LRV 45 vs 15, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 15), opening up a space where Honky Tonk Blue encloses it.
Honky Tonk Blue reads slightly lighter (LRV 15 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 15), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 15), opening up a space where Honky Tonk Blue encloses it.