In Good Taste vs James
Where In Good Taste belongs to Cloverdale Paint's range, James is a Little Greene color. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. In Good Taste (LRV 33) reflects noticeably more light than James (LRV 30), a difference of 3 points that becomes especially apparent in rooms with limited natural light. At ΔE 2.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
In Good Taste vs James in Real Spaces
1 real room side by side. In Good Taste and James are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — In Good Taste gives the walls a little more lift.
Color Details
In Good Taste vs James Simulated Comparison
5 simulated room previews — drag the slider on each to see In Good Taste on one side and James on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In Good Taste comparisons
See how In Good Taste stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where In Good Taste encloses it.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
At LRV 33 vs 6, In Good Taste is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where In Good Taste encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where In Good Taste encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes In Good Taste the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
In Good Taste reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, In Good Taste is decisively the brighter choice.
A 11-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where In Good Taste encloses it.
In Good Taste reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 33), opening up a space where In Good Taste encloses it.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 33 vs 8, In Good Taste is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.