In Good Taste vs Tide
Where In Good Taste belongs to Cloverdale Paint's range, Tide is a Tikkurila color. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. They have nearly identical light reflectance values (33 vs 31), so they'll read as similarly Medium in most lighting conditions. The ΔE 3.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In Good Taste vs Tide in Real Spaces
2 real rooms side by side. In Good Taste and Tide are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
In Good Taste vs Tide Simulated Comparison
5 simulated room previews — drag the slider on each to see In Good Taste on one side and Tide on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In Good Taste comparisons
See how In Good Taste stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where In Good Taste encloses it.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
At LRV 33 vs 6, In Good Taste is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where In Good Taste encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where In Good Taste encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes In Good Taste the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
In Good Taste reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, In Good Taste is decisively the brighter choice.
A 11-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where In Good Taste encloses it.
In Good Taste reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 33), opening up a space where In Good Taste encloses it.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 33 vs 8, In Good Taste is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.