Malarca vs Dried Thyme
Where Malarca belongs to Cloverdale Paint's range, Dried Thyme is a Sherwin-Williams color. Hue-wise, Malarca belongs to the green-grey family and Dried Thyme to the grey family. They have nearly identical light reflectance values (22 vs 21), so they'll read as similarly Dark in most lighting conditions. At ΔE 2.4, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Malarca vs Dried Thyme in Real Spaces
5 real rooms side by side. Malarca and Dried Thyme are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Malarca vs Dried Thyme Simulated Comparison
5 simulated room previews — drag the slider on each to see Malarca on one side and Dried Thyme on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Malarca comparisons
See how Malarca stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Malarca encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Malarca encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Malarca encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Malarca encloses it.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Malarca the marginally brighter of the two.
At LRV 22 vs 8, Malarca is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Malarca the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.