Marmot vs London Clay
Marmot (Cloverdale Paint) and London Clay (Farrow & Ball) come from different manufacturers. Hue-wise, Marmot belongs to the greige-grey family and London Clay to the grey family. Their light reflectance values are nearly the same — 16 vs 15 — so neither will read significantly brighter or darker than the other. ΔE 4.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Marmot vs London Clay in Real Spaces
3 real rooms side by side. Marmot and London Clay are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Marmot vs London Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Marmot on one side and London Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Marmot comparisons
See how Marmot stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 16), opening up a space where Marmot encloses it.
At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Marmot encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.
At LRV 43 vs 16, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Marmot encloses it.
Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Marmot encloses it.
At LRV 84 vs 16, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Marmot encloses it.
Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Marmot encloses it.
Marmot reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Marmot encloses it.
Marmot reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Marmot encloses it.
At LRV 31 vs 16, Pale Green is decisively the brighter choice.
A 9-point LRV gap (16 vs 7) makes Marmot the marginally brighter of the two.
A 9-point LRV gap (24 vs 16) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 16, Guilford Green is decisively the brighter choice.