Marmot vs Landmark
Where Marmot belongs to Cloverdale Paint's range, Landmark is a Sherwin-Williams color. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. They have nearly identical light reflectance values (16 vs 15), so they'll read as similarly Dark in most lighting conditions. At ΔE 2.0, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Marmot vs Landmark in Real Spaces
5 real rooms side by side. Marmot and Landmark are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Marmot vs Landmark Simulated Comparison
5 simulated room previews — drag the slider on each to see Marmot on one side and Landmark on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Marmot comparisons
See how Marmot stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 16), opening up a space where Marmot encloses it.
At LRV 52 vs 16, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 16, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 16, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 16), opening up a space where Marmot encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 16), a gap that shows most in low-lit rooms.
At LRV 43 vs 16, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 16), opening up a space where Marmot encloses it.
Hardwick White reflects far more light (LRV 44 vs 16), opening up a space where Marmot encloses it.
At LRV 84 vs 16, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 16), opening up a space where Marmot encloses it.
Shoji White reflects far more light (LRV 74 vs 16), opening up a space where Marmot encloses it.
Marmot reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Marmot reads slightly lighter (LRV 16 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 16), opening up a space where Marmot encloses it.
Marmot reads slightly lighter (LRV 16 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 16), opening up a space where Marmot encloses it.
At LRV 31 vs 16, Pale Green is decisively the brighter choice.