Melbourne vs Houseplant
Where Melbourne belongs to Cloverdale Paint's range, Houseplant is a Sherwin-Williams color. Melbourne reads as green, while Houseplant reads as green-yellow — two distinct hue families, not close cousins. Melbourne (LRV 19) reflects noticeably more light than Houseplant (LRV 14), a difference of 5 points that becomes especially apparent in rooms with limited natural light. The ΔE 6.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Melbourne vs Houseplant in Real Spaces
5 real rooms side by side. Melbourne and Houseplant are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Melbourne gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Melbourne reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Melbourne reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Melbourne has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Melbourne reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Melbourne vs Houseplant Simulated Comparison
5 simulated room previews — drag the slider on each to see Melbourne on one side and Houseplant on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Melbourne comparisons
See how Melbourne stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 19, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 19), opening up a space where Melbourne encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 19), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 19), opening up a space where Melbourne encloses it.
At LRV 58 vs 19, Accessible Beige is decisively the brighter choice.
A 8-point LRV gap (27 vs 19) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 19), opening up a space where Melbourne encloses it.
At LRV 55 vs 19, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 19, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 19), opening up a space where Melbourne encloses it.
At LRV 66 vs 19, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 19, Shoji White is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes Melbourne the marginally brighter of the two.
At LRV 68 vs 19, Skimming Stone is decisively the brighter choice.
A 7-point LRV gap (19 vs 12) makes Melbourne the marginally brighter of the two.
At LRV 45 vs 19, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 19), opening up a space where Melbourne encloses it.
Melbourne reflects far more light (LRV 19 vs 7), opening up a space where Pine Needle encloses it.
Cement grey reads slightly lighter (LRV 24 vs 19), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 19), opening up a space where Melbourne encloses it.