Oak Tone vs Ammonite
Where Oak Tone belongs to Cloverdale Paint's range, Ammonite is a Farrow & Ball color. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Ammonite (LRV 69) reflects noticeably more light than Oak Tone (LRV 58), a difference of 11 points that becomes especially apparent in rooms with limited natural light. The ΔE 7.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Oak Tone vs Ammonite in Real Spaces
5 real rooms side by side. Oak Tone and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Oak Tone would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Ammonite reflects noticeably more light off the walls, making the space read more open than Oak Tone.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Ammonite reflects noticeably more light off the walls, making the space read more open than Oak Tone.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Ammonite reflects noticeably more light off the walls, making the space read more open than Oak Tone.
Color Details
Oak Tone vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Oak Tone on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Oak Tone comparisons
See how Oak Tone stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 58), opening up a space where Oak Tone encloses it.


A 6-point LRV gap (58 vs 52) makes Oak Tone the marginally brighter of the two.


At LRV 58 vs 30, Oak Tone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.



With LRVs of 58 and 58, the two reflect almost the same amount of light.


Oak Tone reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.


At LRV 58 vs 43, Oak Tone is decisively the brighter choice.


Oak Tone reads slightly lighter (LRV 58 vs 55), a gap that shows most in low-lit rooms.


Oak Tone reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.


At LRV 84 vs 58, Pure White is decisively the brighter choice.


Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.


Shoji White reflects far more light (LRV 74 vs 58), opening up a space where Oak Tone encloses it.


Oak Tone reflects far more light (LRV 58 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.


Oak Tone reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.


Oak Tone reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 58 vs 31, Oak Tone is decisively the brighter choice.


At LRV 58 vs 7, Oak Tone is decisively the brighter choice.


At LRV 58 vs 24, Oak Tone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 58 vs 57), so neither reads brighter in a room.


At LRV 72 vs 58, Just Walnut is decisively the brighter choice.




























