Ochre vs Mizzle
Where Ochre belongs to Cloverdale Paint's range, Mizzle is a Farrow & Ball color. Hue-wise, Ochre belongs to the beige family and Mizzle to the grey family. Mizzle (LRV 52) reflects noticeably more light than Ochre (LRV 48), a difference of 3 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 28.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Ochre vs Mizzle in Real Spaces
5 real rooms side by side. Seeing Ochre and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Mizzle gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Mizzle reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Mizzle reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Mizzle has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Ochre vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Ochre on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ochre comparisons
See how Ochre stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 48, White Dove is decisively the brighter choice.


Purbeck Stone reads slightly lighter (LRV 52 vs 48), a gap that shows most in low-lit rooms.


Ochre reflects far more light (LRV 48 vs 30), opening up a space where Evergreen Fog encloses it.


Agreeable Gray reflects far more light (LRV 60 vs 48), opening up a space where Ochre encloses it.


A 9-point LRV gap (58 vs 48) makes Accessible Beige the marginally brighter of the two.


At LRV 48 vs 27, Ochre is decisively the brighter choice.


Ochre reads slightly lighter (LRV 48 vs 43), a gap that shows most in low-lit rooms.


A 7-point LRV gap (55 vs 48) makes Tranquil Dawn the marginally brighter of the two.


A 5-point LRV gap (48 vs 44) makes Ochre the marginally brighter of the two.


Pure White reflects far more light (LRV 84 vs 48), opening up a space where Ochre encloses it.


At LRV 66 vs 48, Balboa Mist is decisively the brighter choice.


At LRV 74 vs 48, Shoji White is decisively the brighter choice.


At LRV 48 vs 12, Ochre is decisively the brighter choice.


At LRV 68 vs 48, Skimming Stone is decisively the brighter choice.


At LRV 48 vs 12, Ochre is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 48 vs 45), so neither reads brighter in a room.


Ochre reflects far more light (LRV 48 vs 31), opening up a space where Pale Green encloses it.


Ochre reflects far more light (LRV 48 vs 7), opening up a space where Pine Needle encloses it.


Ochre reflects far more light (LRV 48 vs 24), opening up a space where Cement grey encloses it.


Guilford Green reads slightly lighter (LRV 57 vs 48), a gap that shows most in low-lit rooms.


Just Walnut reflects far more light (LRV 72 vs 48), opening up a space where Ochre encloses it.




























