Old Grey Mare vs Ammonite
Old Grey Mare is a Cloverdale Paint color while Ammonite comes from Farrow & Ball. Old Grey Mare reads as grey, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. With LRVs of 68 and 69, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 3.0, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Old Grey Mare vs Ammonite in Real Spaces
5 real rooms side by side. Old Grey Mare and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Old Grey Mare vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Grey Mare on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Grey Mare comparisons
See how Old Grey Mare stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
At LRV 68 vs 6, Old Grey Mare is decisively the brighter choice.
Old Grey Mare reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Old Grey Mare reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 68 vs 52, Old Grey Mare is decisively the brighter choice.
Old Grey Mare reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 10-point LRV gap (68 vs 58) makes Old Grey Mare the marginally brighter of the two.
At LRV 68 vs 27, Old Grey Mare is decisively the brighter choice.
Old Grey Mare reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
Old Grey Mare reflects far more light (LRV 68 vs 4), opening up a space where Naval encloses it.
At LRV 68 vs 55, Old Grey Mare is decisively the brighter choice.
At LRV 68 vs 13, Old Grey Mare is decisively the brighter choice.
At LRV 68 vs 44, Old Grey Mare is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Old Grey Mare encloses it.
Old Grey Mare reflects far more light (LRV 68 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 6-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 68, Snowbound is decisively the brighter choice.
At LRV 68 vs 12, Old Grey Mare is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
Old Grey Mare reflects far more light (LRV 68 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 68, the two reflect almost the same amount of light.
Old Grey Mare reflects far more light (LRV 68 vs 25), opening up a space where Treron encloses it.
At LRV 68 vs 12, Old Grey Mare is decisively the brighter choice.
At LRV 68 vs 45, Old Grey Mare is decisively the brighter choice.
Old Grey Mare reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Old Grey Mare reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Old Grey Mare reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Old Grey Mare reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 68), a gap that shows most in low-lit rooms.