Olive Tint vs Ammonite
Olive Tint (Cloverdale Paint) and Ammonite (Farrow & Ball) come from different manufacturers. Hue-wise, Olive Tint belongs to the beige-yellow family and Ammonite to the beige-greige family. The 14-point LRV gap — 83 for Olive Tint vs 69 for Ammonite — means Olive Tint will open up a space more effectively. ΔE 7.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Olive Tint vs Ammonite in Real Spaces
5 real rooms side by side. Olive Tint and Ammonite are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Olive Tint reflects noticeably more light off the walls, making the space read more open than Ammonite.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Olive Tint returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Olive Tint returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Olive Tint will make the room feel meaningfully brighter than Ammonite would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Olive Tint returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Olive Tint vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Olive Tint on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Olive Tint comparisons
See how Olive Tint stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 83), so neither reads brighter in a room.
At LRV 83 vs 6, Olive Tint is decisively the brighter choice.
Olive Tint reflects far more light (LRV 83 vs 52), opening up a space where Purbeck Stone encloses it.
Olive Tint reflects far more light (LRV 83 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 83 vs 52, Olive Tint is decisively the brighter choice.
Olive Tint reflects far more light (LRV 83 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 83 vs 58, Olive Tint is decisively the brighter choice.
At LRV 83 vs 27, Olive Tint is decisively the brighter choice.
Olive Tint reflects far more light (LRV 83 vs 43), opening up a space where French Gray encloses it.
Olive Tint reflects far more light (LRV 83 vs 4), opening up a space where Naval encloses it.
At LRV 83 vs 55, Olive Tint is decisively the brighter choice.
At LRV 83 vs 13, Olive Tint is decisively the brighter choice.
At LRV 83 vs 44, Olive Tint is decisively the brighter choice.
With LRVs of 84 and 83, the two reflect almost the same amount of light.
Olive Tint reflects far more light (LRV 83 vs 21), opening up a space where Artichoke encloses it.
At LRV 83 vs 66, Olive Tint is decisively the brighter choice.
A 9-point LRV gap (83 vs 74) makes Olive Tint the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 83 vs 83), so neither reads brighter in a room.
At LRV 83 vs 12, Olive Tint is decisively the brighter choice.
At LRV 83 vs 68, Olive Tint is decisively the brighter choice.
Olive Tint reflects far more light (LRV 83 vs 41), opening up a space where Dix Blue encloses it.
Olive Tint reflects far more light (LRV 83 vs 68), opening up a space where Calamine encloses it.
Olive Tint reflects far more light (LRV 83 vs 25), opening up a space where Treron encloses it.
At LRV 83 vs 12, Olive Tint is decisively the brighter choice.
At LRV 83 vs 45, Olive Tint is decisively the brighter choice.
Olive Tint reflects far more light (LRV 83 vs 31), opening up a space where Pale Green encloses it.
Olive Tint reflects far more light (LRV 83 vs 7), opening up a space where Pine Needle encloses it.
Olive Tint reflects far more light (LRV 83 vs 24), opening up a space where Cement grey encloses it.
Olive Tint reflects far more light (LRV 83 vs 57), opening up a space where Guilford Green encloses it.
Olive Tint reads slightly lighter (LRV 83 vs 72), a gap that shows most in low-lit rooms.