Olive vs Thames Fog
Olive is a Cloverdale Paint color while Thames Fog comes from Valspar. Hue-wise, Olive belongs to the greige-grey family and Thames Fog to the grey family. With LRVs of 25 and 27, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 8.5, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Olive vs Thames Fog in Real Spaces
4 real rooms side by side. Olive and Thames Fog are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Olive vs Thames Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Olive on one side and Thames Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Olive comparisons
See how Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 25, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 25), opening up a space where Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 25), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 25), opening up a space where Olive encloses it.
At LRV 58 vs 25, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 27 vs 25), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 25), opening up a space where Olive encloses it.
At LRV 55 vs 25, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 25, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 25), opening up a space where Olive encloses it.
At LRV 66 vs 25, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 25, Shoji White is decisively the brighter choice.
At LRV 25 vs 12, Olive is decisively the brighter choice.
At LRV 68 vs 25, Skimming Stone is decisively the brighter choice.
At LRV 25 vs 12, Olive is decisively the brighter choice.
At LRV 45 vs 25, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
Olive reflects far more light (LRV 25 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 25 and 24, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 25), opening up a space where Olive encloses it.