Overcast vs Skimming Stone
Overcast is a Cloverdale Paint color while Skimming Stone comes from Farrow & Ball. Overcast reads as greige-grey, while Skimming Stone reads as beige-greige — two distinct hue families, not close cousins. At LRV 73 vs 68, Overcast will read as the brighter of the two — a 5-point gap that matters most in north-facing or low-light rooms. At ΔE 4.5, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Overcast vs Skimming Stone in Real Spaces
4 real rooms side by side. Overcast and Skimming Stone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Overcast has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Overcast gives the walls a little more lift.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — Overcast gives the walls a little more lift.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Overcast gives the walls a little more lift.
Color Details
Overcast vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Overcast on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Overcast comparisons
See how Overcast stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (83 vs 73) makes White Dove the marginally brighter of the two.
Overcast reflects far more light (LRV 73 vs 52), opening up a space where Purbeck Stone encloses it.
Overcast reflects far more light (LRV 73 vs 30), opening up a space where Evergreen Fog encloses it.
Overcast reflects far more light (LRV 73 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 73 vs 58, Overcast is decisively the brighter choice.
At LRV 73 vs 27, Overcast is decisively the brighter choice.
Overcast reflects far more light (LRV 73 vs 43), opening up a space where French Gray encloses it.
At LRV 73 vs 55, Overcast is decisively the brighter choice.
At LRV 73 vs 44, Overcast is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 73), a gap that shows most in low-lit rooms.
A 7-point LRV gap (73 vs 66) makes Overcast the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 73), so neither reads brighter in a room.
At LRV 73 vs 12, Overcast is decisively the brighter choice.
At LRV 73 vs 12, Overcast is decisively the brighter choice.
At LRV 73 vs 45, Overcast is decisively the brighter choice.
Overcast reflects far more light (LRV 73 vs 31), opening up a space where Pale Green encloses it.
Overcast reflects far more light (LRV 73 vs 7), opening up a space where Pine Needle encloses it.
Overcast reflects far more light (LRV 73 vs 24), opening up a space where Cement grey encloses it.
Overcast reflects far more light (LRV 73 vs 57), opening up a space where Guilford Green encloses it.
With LRVs of 73 and 72, the two reflect almost the same amount of light.