Overgrown vs Antique White
Overgrown (Cloverdale Paint) and Antique White (Jotun) come from different manufacturers. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Their light reflectance values are nearly the same — 58 vs 56 — so neither will read significantly brighter or darker than the other. A ΔE of 1.8 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Overgrown vs Antique White in Real Spaces
4 real rooms side by side. Overgrown and Antique White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Overgrown vs Antique White Simulated Comparison
5 simulated room previews — drag the slider on each to see Overgrown on one side and Antique White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Overgrown comparisons
See how Overgrown stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 58, White Dove is decisively the brighter choice.
Overgrown reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Overgrown reflects far more light (LRV 58 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 58 vs 58), so neither reads brighter in a room.
At LRV 58 vs 27, Overgrown is decisively the brighter choice.
Overgrown reflects far more light (LRV 58 vs 43), opening up a space where French Gray encloses it.
A 3-point LRV gap (58 vs 55) makes Overgrown the marginally brighter of the two.
At LRV 58 vs 44, Overgrown is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 58), opening up a space where Overgrown encloses it.
A 8-point LRV gap (66 vs 58) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 58, Shoji White is decisively the brighter choice.
At LRV 58 vs 12, Overgrown is decisively the brighter choice.
At LRV 58 vs 8, Overgrown is decisively the brighter choice.
A 10-point LRV gap (68 vs 58) makes Skimming Stone the marginally brighter of the two.
At LRV 58 vs 12, Overgrown is decisively the brighter choice.
At LRV 58 vs 45, Overgrown is decisively the brighter choice.
Overgrown reflects far more light (LRV 58 vs 31), opening up a space where Pale Green encloses it.