Paper vs Calamine
Paper is a Cloverdale Paint color while Calamine comes from Farrow & Ball. Hue-wise, Paper belongs to the beige-greige family and Calamine to the pink-red family. At LRV 88 vs 68, Paper will read as the brighter of the two — a 20-point gap that matters most in north-facing or low-light rooms. At ΔE 12.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Paper vs Calamine in Real Spaces
5 real rooms side by side. Seeing Paper and Calamine in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Paper returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Paper will make the room feel meaningfully brighter than Calamine would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Paper will make the room feel meaningfully brighter than Calamine would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Paper reflects noticeably more light off the walls, making the space read more open than Calamine.
Color Details
Paper vs Calamine Simulated Comparison
5 simulated room previews — drag the slider on each to see Paper on one side and Calamine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Paper comparisons
See how Paper stacks up against other well-photographed colors across different brands and tones.
Paper reads slightly lighter (LRV 88 vs 83), a gap that shows most in low-lit rooms.
At LRV 88 vs 52, Paper is decisively the brighter choice.
At LRV 88 vs 30, Paper is decisively the brighter choice.
At LRV 88 vs 60, Paper is decisively the brighter choice.
Paper reflects far more light (LRV 88 vs 58), opening up a space where Accessible Beige encloses it.
Paper reflects far more light (LRV 88 vs 27), opening up a space where Denim Drift encloses it.
At LRV 88 vs 43, Paper is decisively the brighter choice.
Paper reflects far more light (LRV 88 vs 55), opening up a space where Tranquil Dawn encloses it.
Paper reflects far more light (LRV 88 vs 44), opening up a space where Hardwick White encloses it.
A 4-point LRV gap (88 vs 84) makes Paper the marginally brighter of the two.
Paper reflects far more light (LRV 88 vs 66), opening up a space where Balboa Mist encloses it.
Paper reflects far more light (LRV 88 vs 74), opening up a space where Shoji White encloses it.
Paper reflects far more light (LRV 88 vs 12), opening up a space where Pewter Green encloses it.
Paper reflects far more light (LRV 88 vs 68), opening up a space where Skimming Stone encloses it.
Paper reflects far more light (LRV 88 vs 12), opening up a space where Vintage Vogue encloses it.
Paper reflects far more light (LRV 88 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 88 vs 31, Paper is decisively the brighter choice.
At LRV 88 vs 7, Paper is decisively the brighter choice.
At LRV 88 vs 24, Paper is decisively the brighter choice.
At LRV 88 vs 57, Paper is decisively the brighter choice.
At LRV 88 vs 72, Paper is decisively the brighter choice.