Pink Satin vs Magnolia
Where Pink Satin belongs to Cloverdale Paint's range, Magnolia is a Tikkurila color. Hue-wise, Pink Satin belongs to the beige-pink family and Magnolia to the pink-red family. Pink Satin (LRV 64) reflects noticeably more light than Magnolia (LRV 60), a difference of 4 points that becomes especially apparent in rooms with limited natural light. The ΔE 3.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Pink Satin vs Magnolia in Real Spaces
1 real room side by side. Pink Satin and Magnolia are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pink Satin reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Pink Satin vs Magnolia Simulated Comparison
5 simulated room previews — drag the slider on each to see Pink Satin on one side and Magnolia on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pink Satin comparisons
See how Pink Satin stacks up against other well-photographed colors across different brands and tones.
A 5-point LRV gap (69 vs 64) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 64), opening up a space where Pink Satin encloses it.
Pink Satin reflects far more light (LRV 64 vs 6), opening up a space where Iron Ore encloses it.
At LRV 64 vs 52, Pink Satin is decisively the brighter choice.
At LRV 64 vs 30, Pink Satin is decisively the brighter choice.
Pink Satin reflects far more light (LRV 64 vs 52), opening up a space where Mizzle encloses it.
A 4-point LRV gap (64 vs 60) makes Pink Satin the marginally brighter of the two.
Pink Satin reads slightly lighter (LRV 64 vs 58), a gap that shows most in low-lit rooms.
Pink Satin reflects far more light (LRV 64 vs 27), opening up a space where Denim Drift encloses it.
At LRV 64 vs 43, Pink Satin is decisively the brighter choice.
At LRV 64 vs 4, Pink Satin is decisively the brighter choice.
Pink Satin reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms.
Pink Satin reflects far more light (LRV 64 vs 13), opening up a space where Bancha encloses it.
Pink Satin reflects far more light (LRV 64 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 64, Pure White is decisively the brighter choice.
At LRV 64 vs 21, Pink Satin is decisively the brighter choice.
With LRVs of 66 and 64, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 64), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 64), opening up a space where Pink Satin encloses it.
At LRV 64 vs 51, Pink Satin is decisively the brighter choice.
Pink Satin reflects far more light (LRV 64 vs 12), opening up a space where Pewter Green encloses it.
Pink Satin reflects far more light (LRV 64 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
At LRV 64 vs 41, Pink Satin is decisively the brighter choice.
Pink Satin reflects far more light (LRV 64 vs 12), opening up a space where Vintage Vogue encloses it.
Pink Satin reflects far more light (LRV 64 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 64 vs 31, Pink Satin is decisively the brighter choice.