Rich Oak vs Split Pink
Rich Oak (Cloverdale Paint) and Split Pink (Little Greene) come from different manufacturers. Hue-wise, Rich Oak belongs to the beige family and Split Pink to the beige-greige family. Their light reflectance values are nearly the same — 27 vs 25 — so neither will read significantly brighter or darker than the other. ΔE 7.1 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Rich Oak vs Split Pink in Real Spaces
2 real rooms side by side. Rich Oak and Split Pink are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Rich Oak vs Split Pink Simulated Comparison
5 simulated room previews — drag the slider on each to see Rich Oak on one side and Split Pink on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rich Oak comparisons
See how Rich Oak stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 27), opening up a space where Rich Oak encloses it.
At LRV 52 vs 27, Purbeck Stone is decisively the brighter choice.
A 3-point LRV gap (30 vs 27) makes Evergreen Fog the marginally brighter of the two.
At LRV 60 vs 27, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 27), opening up a space where Rich Oak encloses it.
With LRVs of 27 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 27, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 27), opening up a space where Rich Oak encloses it.
Hardwick White reflects far more light (LRV 44 vs 27), opening up a space where Rich Oak encloses it.
At LRV 84 vs 27, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 27), opening up a space where Rich Oak encloses it.
Shoji White reflects far more light (LRV 74 vs 27), opening up a space where Rich Oak encloses it.
Rich Oak reflects far more light (LRV 27 vs 12), opening up a space where Pewter Green encloses it.
Rich Oak reflects far more light (LRV 27 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 27), opening up a space where Rich Oak encloses it.
Rich Oak reflects far more light (LRV 27 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 27), opening up a space where Rich Oak encloses it.
A 4-point LRV gap (31 vs 27) makes Pale Green the marginally brighter of the two.