Sin City vs Ammonite
Sin City (Cloverdale Paint) and Ammonite (Farrow & Ball) come from different manufacturers. Hue-wise, Sin City belongs to the beige family and Ammonite to the beige-greige family. The 28-point LRV gap — 69 for Ammonite vs 41 for Sin City — means Ammonite will open up a space more effectively. A ΔE of 53.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sin City vs Ammonite in Real Spaces
5 real rooms side by side. Seeing Sin City and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Ammonite reflects noticeably more light off the walls, making the space read more open than Sin City.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Sin City would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Sin City vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Sin City on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sin City comparisons
See how Sin City stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 41), opening up a space where Sin City encloses it.
A 11-point LRV gap (52 vs 41) makes Purbeck Stone the marginally brighter of the two.
A 11-point LRV gap (41 vs 30) makes Sin City the marginally brighter of the two.
At LRV 60 vs 41, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 41), opening up a space where Sin City encloses it.
Sin City reflects far more light (LRV 41 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 41), so neither reads brighter in a room.
Tranquil Dawn reflects far more light (LRV 55 vs 41), opening up a space where Sin City encloses it.
With LRVs of 44 and 41, the two reflect almost the same amount of light.
At LRV 84 vs 41, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 41), opening up a space where Sin City encloses it.
Shoji White reflects far more light (LRV 74 vs 41), opening up a space where Sin City encloses it.
Sin City reflects far more light (LRV 41 vs 12), opening up a space where Pewter Green encloses it.
Sin City reflects far more light (LRV 41 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 41), opening up a space where Sin City encloses it.
Sin City reflects far more light (LRV 41 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 41), a gap that shows most in low-lit rooms.
A 10-point LRV gap (41 vs 31) makes Sin City the marginally brighter of the two.
At LRV 41 vs 7, Sin City is decisively the brighter choice.