Singing in the Rain vs V444
Singing in the Rain is a Cloverdale Paint color while V444 comes from Tikkurila. Hue-wise, Singing in the Rain belongs to the blue-green family and V444 to the grey family. At LRV 34 vs 31, Singing in the Rain will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. With a ΔE of 2.3, the difference is subtle — you'd need them side by side to reliably tell them apart. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Singing in the Rain vs V444 Simulated Comparison
5 simulated room previews — drag the slider on each to see Singing in the Rain on one side and V444 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Singing in the Rain comparisons
See how Singing in the Rain stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 34, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 34), opening up a space where Singing in the Rain encloses it.
Singing in the Rain reflects far more light (LRV 34 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 34, Purbeck Stone is decisively the brighter choice.
A 4-point LRV gap (34 vs 30) makes Singing in the Rain the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 34), opening up a space where Singing in the Rain encloses it.
At LRV 60 vs 34, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 34), opening up a space where Singing in the Rain encloses it.
Singing in the Rain reads slightly lighter (LRV 34 vs 27), a gap that shows most in low-lit rooms.
A 9-point LRV gap (43 vs 34) makes French Gray the marginally brighter of the two.
At LRV 34 vs 4, Singing in the Rain is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 34), opening up a space where Singing in the Rain encloses it.
Singing in the Rain reflects far more light (LRV 34 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 34), a gap that shows most in low-lit rooms.
At LRV 84 vs 34, Pure White is decisively the brighter choice.
At LRV 34 vs 21, Singing in the Rain is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 34), opening up a space where Singing in the Rain encloses it.
Shoji White reflects far more light (LRV 74 vs 34), opening up a space where Singing in the Rain encloses it.
Snowbound reflects far more light (LRV 83 vs 34), opening up a space where Singing in the Rain encloses it.
At LRV 51 vs 34, Pigeon is decisively the brighter choice.
Singing in the Rain reflects far more light (LRV 34 vs 12), opening up a space where Pewter Green encloses it.
Singing in the Rain reflects far more light (LRV 34 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 34), opening up a space where Singing in the Rain encloses it.
A 7-point LRV gap (41 vs 34) makes Dix Blue the marginally brighter of the two.
Singing in the Rain reflects far more light (LRV 34 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 34), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 34 vs 31), so neither reads brighter in a room.