Sublime vs White Opal
Both from Cloverdale Paint's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. They have nearly identical light reflectance values (84 vs 83), so they'll read as similarly Light in most lighting conditions. At ΔE 0.8, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sublime vs White Opal in Real Spaces
5 real rooms side by side. Sublime and White Opal are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Sublime vs White Opal Simulated Comparison
5 simulated room previews — drag the slider on each to see Sublime on one side and White Opal on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sublime comparisons
See how Sublime stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 84 vs 83), so neither reads brighter in a room.
Sublime reflects far more light (LRV 84 vs 52), opening up a space where Purbeck Stone encloses it.
Sublime reflects far more light (LRV 84 vs 30), opening up a space where Evergreen Fog encloses it.
Sublime reflects far more light (LRV 84 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 84 vs 58, Sublime is decisively the brighter choice.
At LRV 84 vs 27, Sublime is decisively the brighter choice.
Sublime reflects far more light (LRV 84 vs 43), opening up a space where French Gray encloses it.
At LRV 84 vs 55, Sublime is decisively the brighter choice.
At LRV 84 vs 44, Sublime is decisively the brighter choice.
With LRVs of 84 and 84, the two reflect almost the same amount of light.
At LRV 84 vs 66, Sublime is decisively the brighter choice.
A 10-point LRV gap (84 vs 74) makes Sublime the marginally brighter of the two.
At LRV 84 vs 12, Sublime is decisively the brighter choice.
At LRV 84 vs 68, Sublime is decisively the brighter choice.
At LRV 84 vs 12, Sublime is decisively the brighter choice.
At LRV 84 vs 45, Sublime is decisively the brighter choice.
Sublime reflects far more light (LRV 84 vs 31), opening up a space where Pale Green encloses it.
Sublime reflects far more light (LRV 84 vs 7), opening up a space where Pine Needle encloses it.
Sublime reflects far more light (LRV 84 vs 24), opening up a space where Cement grey encloses it.
Sublime reflects far more light (LRV 84 vs 57), opening up a space where Guilford Green encloses it.