
Summer's End vs Bella
Where Summer's End belongs to Cloverdale Paint's range, Bella is a Jotun color. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. They have nearly identical light reflectance values (38 vs 37), so they'll read as similarly Medium in most lighting conditions. At ΔE 1.1, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Summer's End vs Bella in Real Spaces
2 real rooms side by side. Summer's End and Bella are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Summer's End vs Bella Simulated Comparison
5 simulated room previews — drag the slider on each to see Summer's End on one side and Bella on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Summer's End comparisons
See how Summer's End stacks up against other well-photographed colors across different brands and tones.


At LRV 69 vs 38, Ammonite is decisively the brighter choice.


White Dove reflects far more light (LRV 83 vs 38), opening up a space where Summer's End encloses it.


Summer's End reflects far more light (LRV 38 vs 6), opening up a space where Iron Ore encloses it.


At LRV 52 vs 38, Purbeck Stone is decisively the brighter choice.


A 8-point LRV gap (38 vs 30) makes Summer's End the marginally brighter of the two.


Mizzle reflects far more light (LRV 52 vs 38), opening up a space where Summer's End encloses it.


At LRV 60 vs 38, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 38), opening up a space where Summer's End encloses it.


Summer's End reads slightly lighter (LRV 38 vs 27), a gap that shows most in low-lit rooms.


A 5-point LRV gap (43 vs 38) makes French Gray the marginally brighter of the two.


At LRV 38 vs 4, Summer's End is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 38), opening up a space where Summer's End encloses it.


Summer's End reflects far more light (LRV 38 vs 13), opening up a space where Bancha encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 38), a gap that shows most in low-lit rooms.


At LRV 84 vs 38, Pure White is decisively the brighter choice.


At LRV 38 vs 21, Summer's End is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 38), opening up a space where Summer's End encloses it.


Shoji White reflects far more light (LRV 74 vs 38), opening up a space where Summer's End encloses it.


Snowbound reflects far more light (LRV 83 vs 38), opening up a space where Summer's End encloses it.


At LRV 51 vs 38, Pigeon is decisively the brighter choice.


Summer's End reflects far more light (LRV 38 vs 12), opening up a space where Pewter Green encloses it.


Summer's End reflects far more light (LRV 38 vs 8), opening up a space where Duck Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 38), opening up a space where Summer's End encloses it.


A 3-point LRV gap (41 vs 38) makes Dix Blue the marginally brighter of the two.


Summer's End reflects far more light (LRV 38 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reads slightly lighter (LRV 45 vs 38), a gap that shows most in low-lit rooms.


A 7-point LRV gap (38 vs 31) makes Summer's End the marginally brighter of the two.


















