Sunset in Italy vs Shoji White
Sunset in Italy (Cloverdale Paint) and Shoji White (Sherwin-Williams) come from different manufacturers. Hue-wise, Sunset in Italy belongs to the beige family and Shoji White to the beige-greige family. The 13-point LRV gap — 74 for Shoji White vs 61 for Sunset in Italy — means Shoji White will open up a space more effectively. A ΔE of 30.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sunset in Italy vs Shoji White in Real Spaces
5 real rooms side by side. Seeing Sunset in Italy and Shoji White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Shoji White reflects noticeably more light off the walls, making the space read more open than Sunset in Italy.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Sunset in Italy would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Sunset in Italy vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Sunset in Italy on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sunset in Italy comparisons
See how Sunset in Italy stacks up against other well-photographed colors across different brands and tones.
A 8-point LRV gap (69 vs 61) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 61), opening up a space where Sunset in Italy encloses it.
Sunset in Italy reflects far more light (LRV 61 vs 6), opening up a space where Iron Ore encloses it.
A 9-point LRV gap (61 vs 52) makes Sunset in Italy the marginally brighter of the two.
At LRV 61 vs 30, Sunset in Italy is decisively the brighter choice.
Sunset in Italy reads slightly lighter (LRV 61 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 61 vs 60), so neither reads brighter in a room.
Sunset in Italy reads slightly lighter (LRV 61 vs 58), a gap that shows most in low-lit rooms.
Sunset in Italy reflects far more light (LRV 61 vs 27), opening up a space where Denim Drift encloses it.
At LRV 61 vs 43, Sunset in Italy is decisively the brighter choice.
At LRV 61 vs 4, Sunset in Italy is decisively the brighter choice.
Sunset in Italy reads slightly lighter (LRV 61 vs 55), a gap that shows most in low-lit rooms.
Sunset in Italy reflects far more light (LRV 61 vs 13), opening up a space where Bancha encloses it.
Sunset in Italy reflects far more light (LRV 61 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 61, Pure White is decisively the brighter choice.
At LRV 61 vs 21, Sunset in Italy is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 61), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 61), opening up a space where Sunset in Italy encloses it.
A 10-point LRV gap (61 vs 51) makes Sunset in Italy the marginally brighter of the two.
Sunset in Italy reflects far more light (LRV 61 vs 12), opening up a space where Pewter Green encloses it.
Sunset in Italy reflects far more light (LRV 61 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 61), a gap that shows most in low-lit rooms.
At LRV 61 vs 41, Sunset in Italy is decisively the brighter choice.
Sunset in Italy reflects far more light (LRV 61 vs 12), opening up a space where Vintage Vogue encloses it.
Sunset in Italy reflects far more light (LRV 61 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 61 vs 31, Sunset in Italy is decisively the brighter choice.
At LRV 61 vs 7, Sunset in Italy is decisively the brighter choice.