Victorian Violet vs Hicks' Blue
Victorian Violet (Cloverdale Paint) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, Victorian Violet belongs to the grey-purple family and Hicks' Blue to the blue family. Victorian Violet has an LRV of 18. A ΔE of 18.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Victorian Violet vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Victorian Violet and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Victorian Violet vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Victorian Violet on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Victorian Violet comparisons
See how Victorian Violet stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 18), opening up a space where Victorian Violet encloses it.
At LRV 83 vs 18, White Dove is decisively the brighter choice.
At LRV 18 vs 6, Victorian Violet is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 18), opening up a space where Victorian Violet encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 18), opening up a space where Victorian Violet encloses it.
At LRV 52 vs 18, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 18), opening up a space where Victorian Violet encloses it.
At LRV 58 vs 18, Accessible Beige is decisively the brighter choice.
A 9-point LRV gap (27 vs 18) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 18), opening up a space where Victorian Violet encloses it.
Victorian Violet reflects far more light (LRV 18 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 18, Tranquil Dawn is decisively the brighter choice.
A 5-point LRV gap (18 vs 13) makes Victorian Violet the marginally brighter of the two.
At LRV 44 vs 18, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 18), opening up a space where Victorian Violet encloses it.
Artichoke reads slightly lighter (LRV 21 vs 18), a gap that shows most in low-lit rooms.
At LRV 66 vs 18, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 18, Shoji White is decisively the brighter choice.
At LRV 83 vs 18, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 18), opening up a space where Victorian Violet encloses it.
A 6-point LRV gap (18 vs 12) makes Victorian Violet the marginally brighter of the two.
A 10-point LRV gap (18 vs 8) makes Victorian Violet the marginally brighter of the two.
At LRV 68 vs 18, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 18), opening up a space where Victorian Violet encloses it.
A 6-point LRV gap (18 vs 12) makes Victorian Violet the marginally brighter of the two.
At LRV 45 vs 18, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 18), opening up a space where Victorian Violet encloses it.
Victorian Violet reads slightly lighter (LRV 18 vs 7), a gap that shows most in low-lit rooms.