Vintage Victorian vs Cherry Plum
Where Vintage Victorian belongs to Cloverdale Paint's range, Cherry Plum is a Dulux color. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Vintage Victorian (LRV 45) reflects noticeably more light than Cherry Plum (LRV 33), a difference of 12 points that becomes especially apparent in rooms with limited natural light. The ΔE 9.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Vintage Victorian vs Cherry Plum Simulated Comparison
5 simulated room previews — drag the slider on each to see Vintage Victorian on one side and Cherry Plum on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Vintage Victorian comparisons
See how Vintage Victorian stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 45, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 45), opening up a space where Vintage Victorian encloses it.
Vintage Victorian reflects far more light (LRV 45 vs 6), opening up a space where Iron Ore encloses it.
A 7-point LRV gap (52 vs 45) makes Purbeck Stone the marginally brighter of the two.
At LRV 45 vs 30, Vintage Victorian is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 45), a gap that shows most in low-lit rooms.
At LRV 60 vs 45, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 45), opening up a space where Vintage Victorian encloses it.
Vintage Victorian reflects far more light (LRV 45 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 45 vs 43), so neither reads brighter in a room.
At LRV 45 vs 4, Vintage Victorian is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.
Vintage Victorian reflects far more light (LRV 45 vs 13), opening up a space where Bancha encloses it.
With LRVs of 45 and 44, the two reflect almost the same amount of light.
At LRV 84 vs 45, Pure White is decisively the brighter choice.
At LRV 45 vs 21, Vintage Victorian is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 45), opening up a space where Vintage Victorian encloses it.
Shoji White reflects far more light (LRV 74 vs 45), opening up a space where Vintage Victorian encloses it.
Snowbound reflects far more light (LRV 83 vs 45), opening up a space where Vintage Victorian encloses it.
A 6-point LRV gap (51 vs 45) makes Pigeon the marginally brighter of the two.
Vintage Victorian reflects far more light (LRV 45 vs 12), opening up a space where Pewter Green encloses it.
Vintage Victorian reflects far more light (LRV 45 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 45), opening up a space where Vintage Victorian encloses it.
A 4-point LRV gap (45 vs 41) makes Vintage Victorian the marginally brighter of the two.
Vintage Victorian reflects far more light (LRV 45 vs 12), opening up a space where Vintage Vogue encloses it.
With LRVs of 45 and 45, the two reflect almost the same amount of light.
At LRV 45 vs 31, Vintage Victorian is decisively the brighter choice.