Warm Grey vs Rolled Oats
Warm Grey is a Cloverdale Paint color while Rolled Oats comes from Dulux. Warm Grey reads as beige-grey, while Rolled Oats reads as beige — two distinct hue families, not close cousins. With LRVs of 65 and 65, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 1.1, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Warm Grey vs Rolled Oats in Real Spaces
1 real room side by side. Warm Grey and Rolled Oats are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Warm Grey vs Rolled Oats Simulated Comparison
5 simulated room previews — drag the slider on each to see Warm Grey on one side and Rolled Oats on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Warm Grey comparisons
See how Warm Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Warm Grey reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Warm Grey reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 8-point LRV gap (65 vs 58) makes Warm Grey the marginally brighter of the two.
At LRV 65 vs 27, Warm Grey is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Warm Grey the marginally brighter of the two.
At LRV 65 vs 44, Warm Grey is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Warm Grey encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 9-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Warm Grey is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 65), so neither reads brighter in a room.
At LRV 65 vs 12, Warm Grey is decisively the brighter choice.
At LRV 65 vs 45, Warm Grey is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Warm Grey reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.
Warm Grey reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.
Warm Grey reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.