Celtic Forest 2 vs French Gray
Celtic Forest 2 is a Dulux color while French Gray comes from Farrow & Ball. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. At LRV 43 vs 35, French Gray will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 8.7, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Celtic Forest 2 vs French Gray in Real Spaces
7 real rooms side by side. Celtic Forest 2 and French Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. French Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Celtic Forest 2 would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. French Gray reflects noticeably more light off the walls, making the space read more open than Celtic Forest 2.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Celtic Forest 2 would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Celtic Forest 2 would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. French Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than Celtic Forest 2 would.
Color Details
Celtic Forest 2 vs French Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Celtic Forest 2 on one side and French Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Celtic Forest 2 comparisons
See how Celtic Forest 2 stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 35), opening up a space where Celtic Forest 2 encloses it.


At LRV 69 vs 35, Ammonite is decisively the brighter choice.


Celtic Forest 2 reflects far more light (LRV 35 vs 6), opening up a space where Iron Ore encloses it.


At LRV 52 vs 35, Purbeck Stone is decisively the brighter choice.


A 5-point LRV gap (35 vs 30) makes Celtic Forest 2 the marginally brighter of the two.


Mizzle reflects far more light (LRV 52 vs 35), opening up a space where Celtic Forest 2 encloses it.


At LRV 60 vs 35, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 35), opening up a space where Celtic Forest 2 encloses it.


Celtic Forest 2 reads slightly lighter (LRV 35 vs 27), a gap that shows most in low-lit rooms.


At LRV 35 vs 4, Celtic Forest 2 is decisively the brighter choice.


Tranquil Dawn reflects far more light (LRV 55 vs 35), opening up a space where Celtic Forest 2 encloses it.


Celtic Forest 2 reflects far more light (LRV 35 vs 13), opening up a space where Bancha encloses it.


Hardwick White reads slightly lighter (LRV 44 vs 35), a gap that shows most in low-lit rooms.


At LRV 84 vs 35, Pure White is decisively the brighter choice.


At LRV 35 vs 21, Celtic Forest 2 is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 35), opening up a space where Celtic Forest 2 encloses it.


Shoji White reflects far more light (LRV 74 vs 35), opening up a space where Celtic Forest 2 encloses it.


Snowbound reflects far more light (LRV 83 vs 35), opening up a space where Celtic Forest 2 encloses it.


Celtic Forest 2 reflects far more light (LRV 35 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reflects far more light (LRV 68 vs 35), opening up a space where Celtic Forest 2 encloses it.


A 6-point LRV gap (41 vs 35) makes Dix Blue the marginally brighter of the two.


At LRV 68 vs 35, Calamine is decisively the brighter choice.


A 10-point LRV gap (35 vs 25) makes Celtic Forest 2 the marginally brighter of the two.


Celtic Forest 2 reflects far more light (LRV 35 vs 12), opening up a space where Vintage Vogue encloses it.


Saybrook Sage reads slightly lighter (LRV 45 vs 35), a gap that shows most in low-lit rooms.


A 4-point LRV gap (35 vs 31) makes Celtic Forest 2 the marginally brighter of the two.


At LRV 35 vs 7, Celtic Forest 2 is decisively the brighter choice.


A 11-point LRV gap (35 vs 24) makes Celtic Forest 2 the marginally brighter of the two.


At LRV 57 vs 35, Guilford Green is decisively the brighter choice.


At LRV 72 vs 35, Just Walnut is decisively the brighter choice.






















