Pink Nevada 5 vs Dix Blue
Pink Nevada 5 (Dulux) and Dix Blue (Farrow & Ball) come from different manufacturers. Pink Nevada 5 reads as pink-red, while Dix Blue reads as blue-grey — two distinct hue families, not close cousins. The 21-point LRV gap — 62 for Pink Nevada 5 vs 41 for Dix Blue — means Pink Nevada 5 will open up a space more effectively. Where Pink Nevada 5 leans warm, Dix Blue reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 24.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Pink Nevada 5 vs Dix Blue in Real Spaces
1 real room side by side. Seeing Pink Nevada 5 and Dix Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Pink Nevada 5 will make the room feel meaningfully brighter than Dix Blue would.
Color Details
Pink Nevada 5 vs Dix Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Pink Nevada 5 on one side and Dix Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pink Nevada 5 comparisons
See how Pink Nevada 5 stacks up against other well-photographed colors across different brands and tones.


Ammonite reads slightly lighter (LRV 69 vs 62), a gap that shows most in low-lit rooms.


At LRV 83 vs 62, White Dove is decisively the brighter choice.


At LRV 62 vs 6, Pink Nevada 5 is decisively the brighter choice.


Pink Nevada 5 reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.


Pink Nevada 5 reflects far more light (LRV 62 vs 30), opening up a space where Evergreen Fog encloses it.


A 10-point LRV gap (62 vs 52) makes Pink Nevada 5 the marginally brighter of the two.


With LRVs of 62 and 60, the two reflect almost the same amount of light.


A 4-point LRV gap (62 vs 58) makes Pink Nevada 5 the marginally brighter of the two.


At LRV 62 vs 27, Pink Nevada 5 is decisively the brighter choice.


Pink Nevada 5 reflects far more light (LRV 62 vs 43), opening up a space where French Gray encloses it.


Pink Nevada 5 reflects far more light (LRV 62 vs 4), opening up a space where Naval encloses it.


A 7-point LRV gap (62 vs 55) makes Pink Nevada 5 the marginally brighter of the two.


At LRV 62 vs 13, Pink Nevada 5 is decisively the brighter choice.


At LRV 62 vs 44, Pink Nevada 5 is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 62), opening up a space where Pink Nevada 5 encloses it.


Pink Nevada 5 reflects far more light (LRV 62 vs 21), opening up a space where Artichoke encloses it.


A 4-point LRV gap (66 vs 62) makes Balboa Mist the marginally brighter of the two.


At LRV 74 vs 62, Shoji White is decisively the brighter choice.


At LRV 83 vs 62, Snowbound is decisively the brighter choice.


Pink Nevada 5 reads slightly lighter (LRV 62 vs 51), a gap that shows most in low-lit rooms.


At LRV 62 vs 12, Pink Nevada 5 is decisively the brighter choice.


At LRV 62 vs 8, Pink Nevada 5 is decisively the brighter choice.


A 6-point LRV gap (68 vs 62) makes Skimming Stone the marginally brighter of the two.


At LRV 62 vs 12, Pink Nevada 5 is decisively the brighter choice.


At LRV 62 vs 45, Pink Nevada 5 is decisively the brighter choice.


Pink Nevada 5 reflects far more light (LRV 62 vs 31), opening up a space where Pale Green encloses it.


Pink Nevada 5 reflects far more light (LRV 62 vs 7), opening up a space where Pine Needle encloses it.














