Praline Melt vs Treron
Where Praline Melt belongs to Dulux's range, Treron is a Farrow & Ball color. Hue-wise, Praline Melt belongs to the grey family and Treron to the greige-grey family. Treron (LRV 25) reflects noticeably more light than Praline Melt (LRV 22), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Praline Melt runs neutral while Treron is decidedly warm, which means they'll respond very differently to warm vs cool light sources. The ΔE 8.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Praline Melt vs Treron Simulated Comparison
5 simulated room previews — drag the slider on each to see Praline Melt on one side and Treron on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Praline Melt comparisons
See how Praline Melt stacks up against other well-photographed colors across different brands and tones.

At LRV 83 vs 22, White Dove is decisively the brighter choice.

Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Praline Melt encloses it.

At LRV 22 vs 6, Praline Melt is decisively the brighter choice.

Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Praline Melt encloses it.

Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.

At LRV 52 vs 22, Mizzle is decisively the brighter choice.

Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Praline Melt encloses it.

At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.


A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.

French Gray reflects far more light (LRV 43 vs 22), opening up a space where Praline Melt encloses it.

Praline Melt reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.

At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.

A 9-point LRV gap (22 vs 13) makes Praline Melt the marginally brighter of the two.

At LRV 44 vs 22, Hardwick White is decisively the brighter choice.

Pure White reflects far more light (LRV 84 vs 22), opening up a space where Praline Melt encloses it.

With LRVs of 22 and 21, the two reflect almost the same amount of light.

At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.

At LRV 74 vs 22, Shoji White is decisively the brighter choice.

At LRV 83 vs 22, Snowbound is decisively the brighter choice.

A 10-point LRV gap (22 vs 12) makes Praline Melt the marginally brighter of the two.

At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.

Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Praline Melt encloses it.

Calamine reflects far more light (LRV 68 vs 22), opening up a space where Praline Melt encloses it.

A 10-point LRV gap (22 vs 12) makes Praline Melt the marginally brighter of the two.

At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.

Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.

Praline Melt reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.

With LRVs of 24 and 22, the two reflect almost the same amount of light.

Guilford Green reflects far more light (LRV 57 vs 22), opening up a space where Praline Melt encloses it.

Just Walnut reflects far more light (LRV 72 vs 22), opening up a space where Praline Melt encloses it.









