Calamine vs Fleur De Sel
Where Calamine belongs to Farrow & Ball's range, Fleur De Sel is a Sherwin-Williams color. Calamine reads as pink-red, while Fleur De Sel reads as grey — two distinct hue families, not close cousins. Fleur De Sel (LRV 72) reflects noticeably more light than Calamine (LRV 68), a difference of 5 points that becomes especially apparent in rooms with limited natural light. Calamine runs warm while Fleur De Sel is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. The ΔE 8.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Calamine vs Fleur De Sel in Real Spaces
2 real rooms side by side. Calamine and Fleur De Sel are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Fleur De Sel gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Fleur De Sel reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Calamine vs Fleur De Sel Simulated Comparison
5 simulated room previews — drag the slider on each to see Calamine on one side and Fleur De Sel on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Calamine comparisons
See how Calamine stacks up against other well-photographed colors across different brands and tones.



At LRV 83 vs 68, White Dove is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.



Calamine reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.



Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.



A 10-point LRV gap (68 vs 58) makes Calamine the marginally brighter of the two.



At LRV 68 vs 27, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.



At LRV 68 vs 55, Calamine is decisively the brighter choice.



At LRV 68 vs 44, Calamine is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.



Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.



A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



At LRV 68 vs 8, Calamine is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



At LRV 68 vs 45, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.


































