Calamine vs Misty
Where Calamine belongs to Farrow & Ball's range, Misty is a Sherwin-Williams color. Calamine reads as pink-red, while Misty reads as blue-grey — two distinct hue families, not close cousins. Calamine (LRV 68) reflects noticeably more light than Misty (LRV 64), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Calamine runs warm while Misty is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 10.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Calamine vs Misty in Real Spaces
3 real rooms side by side. Seeing Calamine and Misty in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Calamine gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Calamine reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Calamine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Calamine vs Misty Simulated Comparison
5 simulated room previews — drag the slider on each to see Calamine on one side and Misty on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Calamine comparisons
See how Calamine stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Calamine reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 10-point LRV gap (68 vs 58) makes Calamine the marginally brighter of the two.
At LRV 68 vs 27, Calamine is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Calamine is decisively the brighter choice.
At LRV 68 vs 44, Calamine is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Calamine is decisively the brighter choice.
At LRV 68 vs 8, Calamine is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Calamine is decisively the brighter choice.
At LRV 68 vs 45, Calamine is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.