Calamine vs Panda White
Calamine is a Farrow & Ball color while Panda White comes from Sherwin-Williams. Hue-wise, Calamine belongs to the pink-red family and Panda White to the beige-white family. At LRV 77 vs 68, Panda White will read as the brighter of the two — a 9-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 7.9, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Calamine vs Panda White in Real Spaces
3 real rooms side by side. Calamine and Panda White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Panda White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Panda White reflects noticeably more light off the walls, making the space read more open than Calamine.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The LRV gap is large enough that Panda White will make the room feel meaningfully brighter than Calamine would.
Color Details
Calamine vs Panda White Simulated Comparison
5 simulated room previews — drag the slider on each to see Calamine on one side and Panda White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Calamine comparisons
See how Calamine stacks up against other well-photographed colors across different brands and tones.



At LRV 83 vs 68, White Dove is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.



Calamine reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.



Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.



A 10-point LRV gap (68 vs 58) makes Calamine the marginally brighter of the two.



At LRV 68 vs 27, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.



At LRV 68 vs 55, Calamine is decisively the brighter choice.



At LRV 68 vs 44, Calamine is decisively the brighter choice.



Pure White reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.



Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.



A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.



At LRV 68 vs 12, Calamine is decisively the brighter choice.



At LRV 68 vs 45, Calamine is decisively the brighter choice.



Calamine reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.



Calamine reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.



Calamine reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.



Calamine reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.



Just Walnut reads slightly lighter (LRV 72 vs 68), a gap that shows most in low-lit rooms.
































